Katie Mitchell

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Alcina
Ariadne Auf Naxos
Auterist
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Bausch's Work
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Black Watch
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chekhov
Chekhov's Dramaturgy
Chekhov’s Dramaturgy
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collaboration
contemporary theatre practice
crimp
Cultural transformation
Dense
Deutsches Schauspielhaus
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European stage direction
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feminist performance studies
fourth wall realism
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Heywood’s Text
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Imaginary Wholeness
immersive performance analysis
intermedial
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Lammermoor
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Mitchell's Theatre
Mitchell's Work
Mitchell’s Production
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opera
oresteia
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Performance criticism
Pit realism
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realism experimentation in theatre
rehearsal ethnography
RSC Production
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UCL's Medical
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Uncle Vanya
vanya
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Woolf’s Prose
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Product details

  • ISBN 9781138082366
  • Weight: 1540g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Dec 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Katie Mitchell: Beautiful Illogical Acts offers the first comprehensive study of Britain’s most internationally recognised, influential, and controversial theatre director. It examines Mitchell’s innovations in fourth-wall realism, opera, and Live Cinema across major British and European institutions, bringing three decades of practice vividly to life.

Informed by first-hand rehearsal observations and in-depth conversations with the director and her collaborators, Fowler investigates the intense and immersive qualities of Mitchell’s distinctive theatrical realism and challenges mainstream narratives about realism as a defunct or inherently conservative genre. He explores Mitchell’s theatre—and its often polarised reception—to question familiar assumptions governing contemporary performance criticism, including common binaries that pit realism against radical experimentation, auteurs against texts, feminists against Naturalism, and Britain against Europe. By examining a career trajectory that intersects with huge cultural change, Fowler places Mitchell at the centre of urgent contemporary debates about cultural transformation and its genuinely inclusive potential.

This is an essential book for those interested in Katie Mitchell, British theatre, directing, the transformative power of realism and feminism in contemporary theatre practice, and challenges to hierarchical distributions of power inside the mainstream.

Benjamin Fowler is a lecturer in Drama, Theatre, and Performance at the University of Sussex, UK.

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