Keep Your Ear to the Ground

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A01=John R. Davis
Author_John R. Davis
Bad Brains
Bikini Kill
Black Cat
Brendan Canty
Category=AKC
Category=AVLP
Category=AVM
Dischord
DIY publishing
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Fugazi
Government Issue
Guy Picciotto
hardcore
Henry Rollins
Ian Mackaye
Jawbox
Joe Lally
Kathleen Hanna
Minor Threat
Nation of Ulysses
post-punk
punk music history
Q and Not U
riot grrrl
Rites of Spring
Slickee Boys
Teen Idles
underground culture
zines

Product details

  • ISBN 9781647126353
  • Weight: 885g
  • Dimensions: 216 x 279mm
  • Publication Date: 01 Oct 2025
  • Publisher: Georgetown University Press
  • Publication City/Country: US
  • Product Form: Paperback
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The first history of the fanzines that emerged from Washington, DC's highly influential punk community

DIY culture has always been at the heart of DC's thriving punk community. As Washington, DC's punk scene emerged in the mid-1970s, so did the "fanzines" that celebrated it. Before the rise of the internet, fanzines were a potent way for fans to communicate and to revel in the joy of fandom. More than just publications; they were a distillation of punk's allure, connecting the city to the broader punk community. Fanzines remain a meaningful, tactile, creative medium for punk fans to connect with like-minded people outside the corporate-controlled world.

In Keep Your Ear to the Ground, the archivist and musician John R. Davis unveils the development of punk fanzines and their role in supporting DC's hardcore and punk scene from the 1970s into the twenty-first century. He sheds new light on DC's scene and highlights some of its key personalities, including many who are often left out of punk history, with high-quality images of rare zines and insights from numerous interviews with zine creators and musicians. This book vividly weaves together the origin of zines and their importance in underground communities.

For punk enthusiasts, zine creators, American studies scholars, and anyone who has ever felt like an outsider, Keep Your Ear to the Ground traces how the unique environment of Washington, DC, helped zines thrive.

John R. Davis is the curator of Special Collections in Performing Arts at the University of Maryland's Michelle Smith Performing Arts Library. His articles and commentary appear in the Washington Post, NPR, Notes: The Journal of the Music Library Association, The Journal of Popular Culture, and Post & Post-Punk. He is a longtime participant in the Washington, D.C. punk community as a fanzine creator and as a musician in bands like Q And Not U.

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