Kehinde Wiley: A Portrait of a Young Gentleman

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A07=Kehinde Wiley
A14=Kimberly Chrisman-Campbell
A14=Malik Gaines
Age Group_Uncategorized
Age Group_Uncategorized
automatic-update
B01=Melinda McCurdy
Black artists
Blue Boy
Category1=Non-Fiction
Category=AC
Category=AGA
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=0
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Hungtington Library & Museum
Kehinde Wiley
Language_English
PA=Available
Portraiture
Price_€20 to €50
PS=Active
softlaunch
Thomas Gainsborough

Product details

  • ISBN 9781646570201
  • Dimensions: 191 x 241mm
  • Publication Date: 05 May 2022
  • Publisher: Marquand Books Inc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Presenting Kehinde Wiley’s hotly anticipated response to a legendary Gainsborough portrait This volume presents A Portrait of a Young Gentleman, a new portrait by Kehinde Wiley (born 1977), commissioned to mark the centennial of the acquisition of Blue Boy by Henry and Arabella Huntington. The Huntington Library, Art Museum, and Botanical Gardens places Wiley's painting in conversation with Thomas Gainsborough's 18th-century masterpiece. A deep connection exists between the museum’s most famous painting and the artist who is known for creating one of the most beloved presidential portraits of our time. A native of Los Angeles, Wiley has often spoken about his childhood visits to the Huntington’s British portrait gallery and how they inspired him to become an artist. Richly illustrated with portraits by Wiley and by 18th-century masters such as Gainsborough, Joshua Reynolds and Thomas Hudson, this book offers insight into the evolving history of portraiture and the representation of power. An essay by Malik Gaines, Associate Professor of Performance Studies at New York University’s Tisch School of the Arts, investigates Wiley’s postmodern strategy of inserting Black subjects into canonical European settings. An essay by fashion historian Kimberly Chrisman-Campbell situates Wiley’s work within the traditions and trappings of 18th-century grand manner portraiture.