Keiji Inafune

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A01=Andrew Schartmann
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Age Group_Uncategorized
Author_Andrew Schartmann
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Capcom
Category1=Non-Fiction
Category=AFKV
Category=AKB
Category=JFD
Category=KNTV
collaborative
controversial
COP=United States
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fraud
game design
Inafundme
Japan
kickstarter
Language_English
mastermind
Mega Man
PA=Not yet available
Price_€20 to €50
PS=Forthcoming
softlaunch
Video game

Product details

  • ISBN 9798765120569
  • Weight: 212g
  • Dimensions: 140 x 214mm
  • Publication Date: 20 Feb 2025
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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This book explores Keiji Inafune’s unique and controversial approach to video game design by breaking down his prolific output into seven key concepts.

Keiji Inafune is a polarizing figure in the video game community. While some view his work on Capcom’s Mega Man series as a pivotal contribution to the gaming industry, others question his very claim to the title of game designer. No matter one’s stance, however, Inafune’s work inspires passionate discussions about video game design and its history.

In this book, Andrew Schartmann explores seven core principles that permeate Inafune’s output and constitute his creative “voice.” He also draws on Inafune’s controversial persona to probe the very definition of “video game designer”—a term problematized by the collaborative aspect of game design and the industry’s Wonka-esque obsession with secrecy. With high-profile games like Mega Man, Street Fighter and Resident Evil, Inafune's repertoire provides an ideal lens through which to explore the nuts and bolts of game design and the many forces that shape it.

Andrew Schartmann is a faculty member at the New England Conservatory, USA. In 2017, he was named Audio Director of Yale’s Play4Real lab, where he produces sound and music for virtual-reality video games. He taught previously at McGill and Yale, USA, and currently serves as the Associate Editor of DSCH Journal. He is the author of the 33 1/3 on Koji Kondo's Super Mario Bros. Soundtrack (Bloomsbury, 2015).

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