Kendrick Lamar and the Making of Black Meaning

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African American
African American studies
Age Group_Uncategorized
Age Group_Uncategorized
America
Anthony B. Pinn
automatic-update
B01=Anthony B. Pinn
B01=Christopher M. Driscoll
B01=Monica R Miller
Ben Israel
Black Culture
Black Flesh
Black Hebrew Israelite
Black Intimacy
Black Meaning
Black Self-Love
black spiritualities
Black Suffering
black theology
Blackness
Category1=Non-Fiction
Category=AVGR
Category=AVLP
Category=HRA
Category=HRAM2
Category=JBCT
Category=JBSL
Category=JFD
Category=JFSL
Category=JHB
Category=QRA
Category=QRAM2
Celebrity
Christopher M. Driscoll
Civil Rights
COP=United Kingdom
Covenantal Theology
cultural criticism
DAMN Ed
DAMN.
Delivery_Delivery within 10-20 working days
DJ Booth
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
gender roles
Good Kid
Gospel
Hebrew Israelite
Hip Hop
Hip Hop Cipher
Hip Hop Culture
hip-hop scholarship
interdisciplinary study of rap music
Israelites
Kendrick Lamar
Kendrick Lamar and the Spirituality of Black Meaning
Kunta Kinte
Lamar's Work
Lamar’s Work
Language_English
Lupe Fiasco
m.A.A.d. city
modern hip-hop culture
Monica R. Miller
Music
Nelson Mandela
Ontological Blackness
PA=Available
Politics
Popular Culture
popular music analysis
Price_€100 and above
PS=Active
Race
race and religion
Racism
Rap Game
Rap God
rap music
Religion
religious belief
Religious Studies
Richie Havens
Section.80
Ship's Hole
Ship’s Hole
softlaunch
To Pimp a Butterfly
USA
Vice Versa
White Power
Young Men

Product details

  • ISBN 9781138541511
  • Weight: 736g
  • Dimensions: 156 x 234mm
  • Publication Date: 03 Oct 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Kendrick Lamar has established himself at the forefront of contemporary hip-hop culture. Artistically adventurous and socially conscious, he has been unapologetic in using his art form, rap music, to address issues affecting black lives while also exploring subjects fundamental to the human experience, such as religious belief. This book is the first to provide an interdisciplinary academic analysis of the impact of Lamar’s corpus. In doing so, it highlights how Lamar’s music reflects current tensions that are keenly felt when dealing with the subjects of race, religion and politics.

Starting with Section 80 and ending with DAMN., this book deals with each of Lamar’s four major projects in turn. A panel of academics, journalists and hip-hop practitioners show how religion, in particular black spiritualties, take a front-and-center role in his work. They also observe that his astute and biting thoughts on race and culture may come from an African American perspective, but many find something familiar in Lamar’s lyrical testimony across great chasms of social and geographical difference.

This sophisticated exploration of one of popular culture’s emerging icons reveals a complex and multi faceted engagement with religion, faith, race, art and culture. As such, it will be vital reading for anyone working in religious, African American and hip-hop studies, as well as scholars of music, media and popular culture.

Christopher M. Driscoll is Assistant Professor of Religion, Africana, and American Studies at Lehigh University. Driscoll is also cofounder and former chair of the Critical Approaches to Hip Hop and Religion group at the American Academy of Religion. Much of his work attends to hip hop culture, including editing a 2011 special issue of the Bulletin for the Study of Religion on the topic, he is coauthor of Breaking Bread, Breaking Beats: Churches and Hip Hop – A Guide to Key Issues (Fortress, 2014), and more. Driscoll is also author of White Lies: Race & Uncertainty in the Twilight of American Religion (Routledge, 2015), and coauthor (with Monica R. Miller) of Method as Identity: Manufacturing Distance in the Academic Study of Religion (Lexington, 2018).

Monica R. Miller is Associate Professor of Religion, Africana Studies, and Director of Women, Gender, and Sexuality Studies at Lehigh University, USA. Miller is the author of Religion and Hip Hop (Routledge, 2012), The Hip Hop and Religion Reader, coedited with Anthony B. Pinn (Routledge, 2014), Religion in Hip Hop: Mapping the New Terrain in the US, coedited with Anthony B. Pinn and Bernard "Bun B" Freeman (Bloomsbury, 2015), Claiming Identity in the Study of Religion: Social and Rhetorical Techniques Examined ed. (Equinox, 2016), and Humanism in a Non-Humanist World ed. (Palgrave Macmillan) among other books, numerous essays, and book chapters on the topic. Miller is cofounder and current cochair of the Critical Approaches to hip hop and Religion group at the American Academy of Religion and has presented nationally on the topic over the past ten years.

Anthony B. Pinn is Agnes Cullen Arnold Professor of Humanities and Professor of Religious Studies at Rice University. He is also the founding Director of Rice's Certer for Engaged Research and Collaborative Learning. Pinn is also the Director of Research for the Institute for Humanist Studies (Washington, DC). In addition to courses on African American religious thought, liberation theologies, and religious aesthetics, Pinn co-teaches with Bernard "Bun B" Freeman a popular course on religion and hip hop culture. The course received media coverage from a variety of outlets including MTV. He is the author/editor of over 30 books, including Noise and Spirit: Rap Music’s Religious and Spiritual Sensibilities (NYU Press, 2003); The Religion and Hip Hop Reader, coedited with Monica R. Miller (Routledge, 2014); and Religion in Hip Hop: Mapping the New Terrain in the US, coedited with Monica R. Miller and Bernard "Bun B" Freeman (Bloomsbury, 2015).