Keys to the Production Office

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A01=Gilana M. Lobel
A01=Jennifer A. Haire
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Assistant Director
Assistant Production Coordinator
Author_Gilana M. Lobel
Author_Jennifer A. Haire
Call Sheet
Cast List
Category=ATF
Category=ATJ
Consumables
Craft Service
Crafty
Crew List
Day out of Days
DGA
Distribution Logs
DooDs
entertainment industry careers
entry level film roles
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Film Crew
film industry workplace skills
film production office career guide
Filming
Filmmaking
Fire Exits
High Budget Feature Film
line producer
Line Schedule
Locations
Office Pa
Office Production Assistant
office runner
Payroll Company
physical production workflows
PM
Post Production
Prep Schedule
Principal Photography
prod sec
Producer
Production
Production Coordinator
Production Crew
Production Hub
production manager
Production Office
production office procedures
Production Office Staff
Production Paperwork
Production Report
production runner
Production Schedule
production secretary
Purchase Orders
safety
Schedule
Script
Script Revisions
set
Set PA
set safety
Shooting Schedule
Sides
St Ad
St Assistant Director
Studio Lot
television crew operations
Unit Base
Unit List
Wrap

Product details

  • ISBN 9781032180984
  • Weight: 660g
  • Dimensions: 174 x 246mm
  • Publication Date: 29 Mar 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Opening a door to the real behind-the-scenes of a film or television show, this book explores the reality of working in the Production Office as an Office Production Assistant. Drawing on over 40 years’ combined experience, authors Jennifer A. Haire and Gilana M. Lobel map out a career path into the industry by providing comprehensive practical information designed specifically for individuals pursuing the entry level role of the Office PA.

An invaluable tool for both breaking into the industry and on the job, the book is full of detailed "how to" information that not only provides an overview of the full scope of the industry, but also functions as a user’s manual for Production Office operations. Haire and Lobel outline variations of the job of an Office PA nationwide, for both big- and small-budget feature films and television shows, and how you are a vital component of the Production team which can open the door to your future career. With coverage on how the Office PA supports the process of creating a show, the Production staff and crew, the practical day-to-day of the office, and developing your career, this is an essential resource for anyone wishing to take their first steps into the film and television industry. Featuring charts, graphics, diagrams, sample documents, templates, supplemental materials, and lighthearted cartoons throughout the book, the reader is immersed in real-world scenarios which create a solid foundation for how to be a professional in the workplace.

This is an inspiring and practical manual that reveals what is beyond the behind-the-scenes of film and television production. It’s ideal for aspiring film and TV professionals with little to no experience working in Physical Production as well as readers studying film and television production courses and industry training programs.

Jennifer A. Haire is a Line Producer and DGA Production Manager with global feature film and television experience. Proud to be a "Fighting Pickle," she earned her BFA in filmmaking at the University of North Carolina School of the Arts. Her commitment to the industry includes serving on the Board of Directors for the Producers Guild of America, IATSE Local 871, and launching international Production crew training and Production safety education workshops.

Gilana M. Lobel is a New York based Producer and DGA Production Manager. A graduate of the University of North Carolina School of the Arts, School of Filmmaking, her experience with the Production Office comes from working on major feature films and television shows in various capacities. She is dedicated to telling diverse stories and creating a more inclusive work environment by collaborating with numerous organizations to encourage upward mobility in the film and television industry.

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