Keywords in Subversive Film / Media Aesthetics
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€39.99
A01=Robert Stam
A02=Leo Goldsmith
A02=Richard Porton
Age Group_Uncategorized
Age Group_Uncategorized
Anarchist Pedagogy
Anti-Miltarism
Author_Leo Goldsmith
Author_Richard Porton
Author_Robert Stam
automatic-update
Blasphemy
Brechtian
Brechtian Alienation-Effect
Brechtian Distanciation
Brechtian Separation of the Elements
Brechtian
Camcorder Activism
Carnivalesque Inversion
Category1=Non-Fiction
Category=APFA
Category=ATFA
Category=JBCT
Category=JFD
Celluloid Pscychogeography
Coena Cipriani
COP=United Kingdom
Cyber-minimalism
decolonizing the Classics
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Financial Reflexivity
Grotesque Realism
Hybrid Authorship
Imperfect Cinema
Internet Mashups
Inverted Stereotype
Language_English
Magic Realism
media
Media aesthetics
Media Deconstruction
Media Jiujitsu
Montage Reloaded
PA=Available
Panoptical Rap
Polyperspectival History
Price_€20 to €50
Progressive Realism
PS=Active
radical film strategies
Realism
Reflexivity
Situationist Detournement
softlaunch
Sound-Image Counterpoint
Sublime Detritus
The Aesthetics of Garbage
The Aesthetics of Hunger
The Lower Bodily Stratum
The Orchestration of Discourses
Threshold Encounters
Trance-Brechtianism
Visceral Spectatorship
Product details
- ISBN 9781118288931
- Weight: 431g
- Dimensions: 155 x 229mm
- Publication Date: 01 Sep 2015
- Publisher: John Wiley and Sons Ltd
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
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Keywords offers a conversational journey through the overlying terrains of politically engaged art and artistically engaged politics, combining a major statement on subversive aesthetics, a survey of radical film strategies, and a lexicon of over a thousand terms and concepts.
- No other book combines an ambitious essay on radical politics and aesthetics in film with a lexicon of terms and ideas, many of which are new and innovative
- Creates and illustrates over a thousand terms and concept, drawing its examples from a wide range of media
- Provides a broad timespan, covering the very ancient (Ramayana, Aristotle) to the most current (digital mashups, memes)
- Uniquely discusses the areas of film, television and the internet within one book
- No other book combines an ambitious essay on radical politics and aesthetics in film with a lexicon of terms and ideas, many of which are new and innovative
Robert Stam is University Professor at New York University. He has authored, co-authored and edited 17 books on film, cultural theory, national cinema, and postcolonial studies. His books include Francois Truffaut and Friends (2006), Literature through Film (2005), Film Theory: An Introduction (2000), and Tropical Multiculturalism (1997). He is co-author, with Ella Shohat, of Race in Translation (2012), Flagging Patriotism (2006), and Unthinking Eurocentrism (1994).
Richard Porton is the author of Film and the Anarchist Imagination (1999) and editor of Dekalog 3: On Film Festivals (2009). One of the editors of Cineaste magazine, his work on film has appeared in Cinema Scope, Sight & Sound, and The Daily Beast.
Leo Goldsmith is a PhD candidate in the Department of Cinema Studies at New York University. He is the Film Editor of The Brooklyn Rail.
Richard Porton is the author of Film and the Anarchist Imagination (1999) and editor of Dekalog 3: On Film Festivals (2009). One of the editors of Cineaste magazine, his work on film has appeared in Cinema Scope, Sight & Sound, and The Daily Beast.
Leo Goldsmith is a PhD candidate in the Department of Cinema Studies at New York University. He is the Film Editor of The Brooklyn Rail.
