Kimono Couture

Regular price €38.99
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A01=Christine Starkman
A01=Vivian Li
A32=Riyo Kikuchi
A32=Yukio Lippit
Age Group_Uncategorized
Age Group_Uncategorized
Author_Christine Starkman
Author_Vivian Li
automatic-update
Category1=Non-Fiction
Category=A
Category=AFW
Category=AKT
Category=AKTH
Category=WCV
Chiso
COP=United Kingdom
couture
craftsmanship
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Japan and international relations
Japanese art and culture
kimono
Kyoto
Language_English
Meiji Japan
modernity
PA=Temporarily unavailable
painting and textiles
Price_€20 to €50
PS=Active
softlaunch
Yohji Yamamoto
yukata
yuzen

Product details

  • ISBN 9781911282662
  • Dimensions: 230 x 279mm
  • Publication Date: 18 May 2020
  • Publisher: D Giles Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This is the first in-depth exploration of the art and history of the kimono in Japan, told from the perspective of one of the country's oldest and most prestigious kimono houses still in operation today - the 460-year old House of Chiso. Kimono Couture highlights Chiso's textile and design innovations and unwavering commitment to beauty over the centuries, with over thirteen exquisite kimonos drawn entirely from Chiso's collection, including a specially-commissioned wedding kimono. The authors contextualize and illuminate the importance and continuing role of kimonos in contemporary Japan, and discuss, variously, Chiso's network of artisans and the survival of endangered techniques and textile crafts in the 21st century; the current "culture of kimono" in Japan; Chiso's patronage and collaboration with the famous Kyoto nihonga artist, Kishi Chikudo (1826-1897); and finally an interview with Chiso designer, Mr. IMAI Atsuhiro, on the process of commission, and reflections on Chiso's endeavour for capturing timeless style and fleeting fashion in contemporary times.
Vivian Li is associate curator of Asian Art and Global Contemporary Art, Worcester Art Museum; Chrisine Starkman is an independent scholar, and guest co curator, Worcester Art Museum; Riyo Kikuchi, the Tokyo National Research Institute for Cultural Properties; Yukio Lippit is professor of History of Art and Architecture, Japanese Art, Harvard University

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