Kinethic California

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1970s
A01=Naomi Macalalad Bragin
African American
Age Group_Uncategorized
Age Group_Uncategorized
American
anthropology
Author_Naomi Macalalad Bragin
automatic-update
black
boogaloo
California
Category1=Non-Fiction
Category=ASD
Category=ATQ
Category=ATY
Category=HBTB
COP=United States
cultural
dance
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethnography
Fillmore
Fresno
hip hop
kinetic
Language_English
locking
Los Angeles
movement
music
Oakland
PA=Not yet available
performance
popping
Price_€20 to €50
PS=Forthcoming
punking
Richmond
robot
San Francisco
social dance
softlaunch
Soul Train
streetdance
strutting
vernacular
waacking

Product details

  • ISBN 9780472056415
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Apr 2024
  • Publisher: The University of Michigan Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Kinethic California: Dancing Funk and Disco Era Kinships documents the emergence of new forms of black social and vernacular dance invented by youth living in 1970s California, who helped build the foundations of contemporary hip hop/streetdance culture. Naomi Macalalad Bragin weaves interviews and ethnographies of first-generation (1960s-70s) dancers of strutting, boogaloo, robotting, popping, locking, waacking, and punking styles, as it advances a theory of dance as kinetic kinship formation through a focus on techniques and practices of the dancers themselves. She offers that the term given to these collective movement practices is kinethic to bring attention to motion at the core of black aesthetics that generate dances as forms of kinship beyond blood relation. Kinethics reorient dancers toward kinetic kinship in ways that give continuity to black dance lineages under persistent conditions of disappearance and loss. As dancers engage kinethics, they reinvent gestural vocabularies that describe worlds they imagine into knowing-being.

The stories in Kinethic California attend to the aesthetics of everyday movement, seen through the lens of young artists who, from childhood, listened to their family’s soul and funk records, observed the bent-leg strolls and rhythmic handshakes of people moving through their neighborhoods, and watched each other move at house parties, school gyms, and around-the-way social clubs. Their aesthetic sociality and geographic movement provided materials for collective study and creative play. Bragin attends to such multidirectional conversations between dancer, community, and tradition, by which California dance lineages emerge and take flight.

Naomi Macalalad Bragin is Associate Professor in the School of Interdisciplinary Arts and Sciences at the University of Washington Bothell.