King of the Queen City

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1940s
1950s
1960s
45s
A01=Jon Hartley Fox
A23=Dave Alvin
African American history
African American music
African American popular music
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Age Group_Uncategorized
American music
American vernacular music
artists
Author_Jon Hartley Fox
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Bill Doggett
black history
black studies
bluegrass
blues
business model
Category1=Non-Fiction
Category=AVC
Category=AVX
Category=KCS
Category=KNTF
Cincinnati
COP=United States
corporate culture
country
country boogie
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Delmores
Earl Bostic
Eddie Vinson
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
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eq_music
eq_nobargain
eq_non-fiction
forty-fives
Freddie King
fringe music
Get on Up
gospel
Grandpa Jones
Henry Glover
hillbilly music
Ike Turner
independent record label
indie record label
Ink Spots
integration
interracial
interracial relations
interracial workplace
interviews
Ivory Joe Hunter
James Brown
jazz
Joe Tex
Johnny
King Records
Language_English
Live at the Apollo
Lonnie Johnson
Midwest
Moon Mullican
music
music history
musicians
Ohio
PA=Available
pop music
Price_€20 to €50
progressive business
PS=Active
R & B
race records
Ralph Bass
record company
record industry
record label
recording artists
Redd Foxx
rhythm & blues
rockabilly
Roy Brown
sides
softlaunch
soul
Stanley Brothers
stars
Syd Nathan
underground music

Product details

  • ISBN 9780252080555
  • Weight: 367g
  • Dimensions: 156 x 235mm
  • Publication Date: 21 Jul 2014
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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King of the Queen City is the first comprehensive history of King Records, one of the most influential independent record companies in the history of American music. Founded by businessman Sydney Nathan in the mid-1940s, this small outsider record company in Cincinnati, Ohio, attracted a diverse roster of artists, including James Brown, the Stanley Brothers, Grandpa Jones, Redd Foxx, Earl Bostic, Bill Doggett, Ike Turner, Roy Brown, Freddie King, Eddie Vinson, and Johnny "Guitar" Watson. While other record companies concentrated on one style of music, King was active in virtually all genres of vernacular American music, from blues and R & B to rockabilly, bluegrass, western swing, and country.

A progressive company in a reactionary time, King was led by an interracial creative and executive staff that redefined the face and voice of American music as well as the way it was recorded and sold. Drawing on personal interviews, research in newspapers and periodicals, and deep access to the King archives, Jon Hartley Fox weaves together the elements of King's success, focusing on the dynamic personalities of the artists, producers, and key executives such as Syd Nathan, Henry Glover, and Ralph Bass. The book also includes a foreword by legendary guitarist, singer, and songwriter Dave Alvin.

Jon Hartley Fox is a resident of Grass Valley, California and has written about music and the arts for forty years. He has won two writing awards for album annotation from the International Bluegrass Music Association (IBMA).

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