King Twist

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A01=Jeff Nuttall
Arthur Twist
Author_Jeff Nuttall
biography
Blackpool
British music hall
British popular culture analysis
Category=ATXD
Category=DNBF
clown outsider theory
comedian
comedic performance history
cultural rituals in comedy
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
George Formby
music-hall
notoriety
outsider
popular entertainment
Randle's Scandals
theatre
twentieth-century theatre
working-class entertainment
working-class values

Product details

  • ISBN 9781032256207
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 27 Apr 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Born in Wigan in 1901 and a childhood friend of George Formby, who was later to become his chief rival, Frank Randle was one of the greatest music-hall comedians of all time. His theatre career started in 1916, when he appeared as an acrobatic artist under the name of Arthur Twist. It was not until the thirties, however, that he achieved his greatest popularity and notoriety as a comedian whose wild, manic temperament introduced a fresh note of invention into popular entertainment. For ten years he ran his own touring company, Randle’s Scandals, playing to enthusiastic audiences all over the country. He also made a number of shoe-string movies and was the star of Blackpool’s most distinguished summer-season show. During the early fifties his health declined and he died in Blackpool in 1957.

Originally published in 1978, Jeff Nuttall’s account of Frank Randle is both a portrait of a ‘very, very, funny man’ and the story of his own search as he pieced that portrait together by talking to Randle’s acquaintances, friends, colleagues and relations. What emerges from his narrative is a beautifully recorded analysis of the ways in which working-class values are expressed in popular entertainment and are thus ritualised by it. The image Nuttall builds of Randle also allows him to explore the perennial theme of the clown as outsider and, with the passing of Randle, he acknowledges the passing of a certain naïve optimism which Randle so expressively embodied.

Jeff Nuttall

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