Knife-Woman

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20th century
A01=Marie-Laure Bernadac
abstract
abstraction
archive
Author_Marie-Laure Bernadac
Category=AFK
Category=AFKB
Category=AGA
Category=AGB
Category=AJCD
Category=AMB
Category=DNB
Category=DNBF
Category=JBSF1
contemporary art
critical biography
drawing
easton foundation
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eq_bestseller
eq_biography-true-stories
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eq_nobargain
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eq_society-politics
french
illustration
midcentury
modern art
MoMA
monumental sculpture
museum of modern art
new york
painting
paris
Robert Goldwater
spider
translated

Product details

  • ISBN 9780300268300
  • Dimensions: 156 x 235mm
  • Publication Date: 13 Jan 2026
  • Publisher: Yale University Press
  • Publication City/Country: US
  • Product Form: Hardback
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The first major biography on artist Louise Bourgeois brings the life and work of an iconic twentieth-century artist into sharp focus

“The mischievous French artist comes alive in this deeply personal biography.”—Chloë Ashby, Times (UK)
 
Louise Bourgeois (1911–2010) was one of the most important artists of the twentieth century. She is known for a body of work that spans sculpture, painting, and printmaking but eludes any aesthetic classification. Her life and art were so intertwined that it is often difficult to tell them apart. In her own words: “Sculpture is the body. My body is the sculpture.”
 
Marie-Laure Bernadac’s biography of Bourgeois traces the career of a great artist, her training, and her influences, as it tells the story of an exceptional woman’s life. Featuring personal photographs as well as reproductions of her work, this landmark publication is the first major biography to draw on the artist’s unpublished personal archives, including diaries, correspondence, and psychoanalytic writings, as well as the many interviews she gave and the reminiscences of those who knew her. Bernadac elucidates Bourgeois’s friendships and rivalries with other major figures, including sculptor Louise Nevelson and Museum of Modern Art director Alfred H. Barr Jr. She also draws on Bourgeois’s well-known fascination with psychoanalysis to explore the deeply autobiographical nature of her artwork. This erudite and keenly insightful biography pays tribute to the talent of the artist and the complexity of the person.

Marie-Laure Bernadac is a former curator at the Louvre, Musée Picasso, Centre Pompidou, and the CAPC Musée d’art contemporain de Bordeaux and a leading specialist on Louise Bourgeois. Lauren Elkin is an award-winning writer and translator. Her books include Art Monsters: Unruly Bodies in Feminist Art.

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