Knowing Native Arts

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A01=Nancy Marie Mithlo
Age Group_Uncategorized
Age Group_Uncategorized
American Indian
American Indian Heritage Day
Art Administrator
Art Critic
Art Gallery
Art History
art philanthropy disparities
Art Professional
art world critique
Artist
Author_Nancy Marie Mithlo
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Category1=Non-Fiction
Category=ACBK
Category=AGA
Category=HBTB
Category=JBSL11
Category=JFSL9
Category=NHTB
contemporary Native discourse
COP=United States
Cultural Anthropology
Cultural Appropriation
Cultural Criticism
cultural equity in the arts
Curator
decolonizing the arts
Delivery_Delivery within 10-20 working days
digital Indigenous arts
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
equity in creative spaces
Ethnic Fraud
ethnic fraud in art
Ethnic Studies
Ethnohistory
Indigenous
Indigenous academic perspectives
Indigenous Art
Indigenous arts
Indigenous cultural sovereignty
Indigenous cultures
Indigenous identity and representation
Indigenous Peoples
Indigenous scholarship
Indigenous Studies
Indigenous voices in fine arts
International Art
Jimmy Durham
Knowing Native Arts
Language_English
Museum
Museum Exhibit
Museum Studies
Nancy Marie Mithlo
Native American
Native American activism
Native American Art
Native American art criticism
Native American communities
Native American culture
Native American dance
Native American education
Native American History
Native American Studies
Native art in global contexts
Native art institutions
Native arts education
Native curation
Native curatorship
Native Self Determination
PA=Available
Philanthropy
Price_€20 to €50
professionalizing Native art studies
PS=Active
softlaunch
Veterans Day
Visual Anthropology

Product details

  • ISBN 9781496202123
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Sep 2020
  • Publisher: University of Nebraska Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Knowing Native Arts brings Nancy Marie Mithlo’s Native insider perspective to understanding the significance of Indigenous arts in national and global milieus. These musings, written from the perspective of a senior academic and curator traversing a dynamic and at turns fraught era of Native self-determination, are a critical appraisal of a system that is often broken for Native peoples seeking equity in the arts.
Mithlo addresses crucial issues, such as the professionalization of Native arts scholarship, disparities in philanthropy and training, ethnic fraud, and the receptive scope of Native arts in new global and digital realms. This contribution to the field of fine arts broadens the scope of discussions and offers insights that are often excluded from contemporary appraisals.

 

Nancy Marie Mithlo (Chiricahua Apache) is a professor of gender studies at the University of California, Los Angeles, and a senior curator and lecturer on Indigenous arts. She has curated Native arts exhibitions at the Venice Biennale, Smithsonian National Museum of the American Indian, and the IAIA Museum of Contemporary Native Arts. She is the editor of Manifestations: New Native Art Criticism and For a Love of His People: The Photography of Horace Poolaw.
 

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