Knowledge and Beauty in Classical Islam

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A01=Giovanna Lelli
Aesthetic Description
aesthetics of knowledge in Islamic civilisation
Animal Kingdom
Arab historiography
Arab Islamic Philosophers
Arab Islamic World
Arab-Islamic culture
Arabic
Arabic Language
Author_Giovanna Lelli
Bedouin Arabs
Bedouin societies
bedouin society
Bedouin society studies
Category=JB
Category=QD
Category=QDHK
Category=QDTN
civilisation
classical aesthetics
Desinential Inflection
Deus Otiosus
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Futurist Aesthetics
group feeling theory
Hafsid Dynasties
human geography
Islam
Islamic philosophy
Lao Tzeu
Literary Rhetoric
Maghreb intellectual history
Marinid Dynasties
muqaddima
Muslim World
Nasrid Sultanate
Nomadic Pastoral Societies
pre-Islamic Arab Poetry
Sea Water
Sensual beauty
Tibetan Buddhism
Turkish Military Slaves
Vice Versa
Young Man

Product details

  • ISBN 9780367898984
  • Weight: 439g
  • Dimensions: 156 x 234mm
  • Publication Date: 19 Oct 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This volume offers an aesthetic reading of the Muqaddima by Ibn Khaldūn (d. 1406), a text that has been studied up to the present as a work on historiography. It argues that the Muqaddima is also a comprehensive treatise on classical Arab-Islamic culture and provides a picture of classical Arab-Islamic aesthetics in its totality.

The theme of the book is the intrinsic connection between beauty and knowledge in the Muqaddima. Whenever Ibn Khaldūn deals with the problem of knowledge and science, he also deals with the problem of sensual beauty as an instrument or an obstacle to attain it. Ibn Khaldūn’s philosophy of history is necessarily also an aesthetics of history. His key-notion of “group feeling”, the physical, ethic and aesthetic virtue of Bedouin societies, is at once the origin of the ascent of centralised States and the cause of their ruin. It represents a tragic contradiction that applies to the history of the Maghreb but then takes a universal value. It reflects a range of other contradictions inherent to the "system" of classical Arab-Islamic aesthetics. These contradictions undermine the aesthetic system of the Muqaddima from within and provide decisive elements for the emergence of modern aesthetics.

Offering a comparative approach, the volume is a key resource to scholars and students interested in Arabic and Islamic studies, philosophy, aesthetics and global history.

Giovanna Lelli has been a visiting professor of Arabic and Islamic studies at the Universities of Gent and Leuven (KUL). Her interests are interdisciplinary, particularly the comparative studies of the civilisations that flourished around the Mediterranean Sea in the Middle Ages on common Hellenistic roots. She also pursues a reflection on the problematic relationship between the classical heritage and modernity in the Arab-Islamic and the Western world from a global historical perspective.

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