Kore-eda Hirokazu

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A01=Marc Yamada
After Life
After the Storm
Air Doll
analysis
Author_Marc Yamada
awards
bodies and film
Category=ATFA
Category=ATFX
Category=DNBF
cinematography
concerns
Deleuze and film
documentaries
documentary
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
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film history
filming style
filmography
Hana
home drama
humanism
I Wish
Japan
Japanese film
Kore-eda Hirokazu
lighting
Like Father
Like Son
Maborosi
Maborosi no hikari
memory
memory and film
neoliberalism and film
Nobody Knows
Our Little Sister
placemaking
posthumanism
shomingeki
Shoplifters
shots
space
Still Walking
television
The Heisei Period
themes
Third Murder
use of space
works
world cinema

Product details

  • ISBN 9780252087264
  • Weight: 200g
  • Dimensions: 140 x 210mm
  • Publication Date: 04 Jul 2023
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
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Films like Shoplifters and After the Storm have made Kore-eda Hirokazu one of the most acclaimed auteurs working today. Critics often see Kore-eda as a director steeped in the Japanese tradition defined by Yasujirō Ozu. Marc Yamada, however, views Kore-eda’s work in relation to the same socioeconomic concerns explored by other contemporary international filmmakers. Yamada reveals that a type of excess, not the minimalism associated with traditional aesthetics, defines Kore-eda’s trademark humanism. This excess manifests in small moments when a desire for human connection exceeds the logic of the institutions and policies formed by the neoliberal values that have shaped modern-day Japan. As Yamada shows, Kore-eda captures the shared spaces formed by bodies that move, perform, and assemble in ways that express the humanistic impulse at the core of the filmmaker’s expanding worldwide appeal.
Marc Yamada is associate professor of Interdisciplinary Humanities at Brigham Young University. He is the author of Locating Heisei in Japanese Fiction and Film: The Historical Imagination of The Lost Decades.

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