Korean War and Postmemory Generation

Regular price €51.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Dong-Yeon Koh
anti-Americanism
Author_Dong-Yeon Koh
Category=AB
Cold War history
collective memory studies
Contemporary South Korean
Cultural memory
DMZ Area
Documentary Photographers
Documentary Photographs
documentary photography
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Film studies
generational gaps
global tourism
Ground Pit
Hirsch's Theory
Hirsch’s Theory
Imjin River
intergenerational war memory discourse
Jeju Island
Korean art
Korean film
Korean Soldiers
Korean War
Late Photography
Mixed Names
North Korean
North Korean Defectors
North Korean Soldiers
participatory public art
Personal Documentaries
Postmemory Generation
South Korean
South Korean identity politics
South Korean Soldiers
Traditional War Memorials
Trauma
trauma representation
Unknown Soldier
Vietnam War
visual culture analysis
War Memorials
war memory
Yang's Father

Product details

  • ISBN 9781032033952
  • Weight: 450g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Jan 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

This pioneering volume navigates cultural memory of the Korean War through the lens of contemporary arts and film in South Korea for the last two decades.

Cultural memory of the Korean War has been a subject of persistent controversy in the forging of South Korean postwar national and ideological identity. Applying the theoretical notion of “postmemory,” this book examines the increasingly diversified attitudes toward memories of the Korean War and Cold War from the late 1990s and onward, particularly in the demise of military dictatorships. Chapters consider efforts from younger generation artists and filmmakers to develop new ways of representing traumatic memories by refusing to confine themselves to the tragic experiences of survivors and victims. Extensively illustrated, this is one of the first volumes in English to provide an in-depth analysis of work oriented around such themes from 12 renowned and provocative South Korean artists and filmmakers. This includes documentary photographs, participatory public arts, independent women’s documentary films, and media installations.

The Korean War and Postmemory Generation will appeal to students and scholars of film studies, contemporary art, and Korean history.

Dong-Yeon Koh is an art critic and independent art historian currently serving on the Seoul International ALT Cinema & Media Festival Committee. She is an adjunct lecturer at Seoul National University.

More from this author