La Jetée

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A01=Chris Darke
Alfred Hitchcock Vertigo
archival research
auteur studies
Author_Chris Darke
avant-garde cinema
Category=ATF
Category=ATFA
Chris Darke
Chris Marker
cinematic form
contemporary cinema influence
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
essay film
European cinema
experimental film
film history
film production history
film studies
forthcoming
French cinema
intertextuality
La Jetee
memory and time
montage
photo-novel
post-war cinema
science fiction film
short film
still images in film
time travel
visual culture

Product details

  • ISBN 9781839022715
  • Dimensions: 135 x 190mm
  • Publication Date: 01 Oct 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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Chris Marker’s La Jetée is 28 minutes long and almost entirely made up of black-and-white still images. Since its release in 1964, the film – which Marker described as a ‘photo-novel’ – has haunted generations of viewers, and its spiralling narrative of post-war time travel has inspired writers, artists and filmmakers.
But as Marker rarely gave interviews, little is known about the origins of La Jetée or the ideas behind it. In this groundbreaking study, Chris Darke draws on rare archival material, including previously unpublished correspondence and production documents, to shed new light on the making of the film. He explores how Marker’s only fiction film grew out of his early work as a writer and his fascination with Alfred Hitchcock’s Vertigo (1958), and traces how La Jetée’s imagery can be seen to echo throughout Marker’s extraordinarily diverse oeuvre.

In his afterword to this new edition, Darke considers La Jetée’s continuing impact on contemporary cinema and culture: inspiring Asif Kapadia’s time-travel docudrama 2073 (2024) and Dominique Cabrera’s documentary Le Cinquième plan de La Jetée (2025), as well as appearing in the cinema section of the 2024 Paris Olympics opening ceremony.

Chris Darke is a writer and film critic whose work has appeared in Sight and Sound, Film Comment and Cahiers du cinéma. He is the author of several books, including Light Readings: Film Criticism and Screen Arts (2000), and the co-curator of the major exhibition, Chris Marker: A Grin Without a
Cat, at the Whitechapel Gallery, London, in 2014.

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