Laboratory Obsession

Regular price €32.50
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Massimiliano Camellini
Age Group_Uncategorized
Age Group_Uncategorized
artists
Author_Massimiliano Camellini
automatic-update
Category1=Non-Fiction
Category=AG
COP=Italy
creator
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film
Frankenstein
Language_English
Language_Italian
literature
PA=Available
photographs
Price_€20 to €50
Prometheus
PS=Active
softlaunch
specialeffects
theatre

Product details

  • ISBN 9788874395408
  • Dimensions: 220 x 180mm
  • Publication Date: 01 Sep 2010
  • Publisher: Five Continents Editions
  • Publication City/Country: IT
  • Product Form: Hardback
  • Language: English, Italian
Secure checkout Fast Shipping Easy returns
First published in 1818, Mary Wollstonecraft Shelley's Frankenstein, or the Modern Prometheus is perhaps the most famous work of literature to deal with man's obsession with the creation of life itself, thereby supplanting God and nature. In more recent times the theme has been taken further, particularly in the world of cinema and theatre, where special-effects artists have dreamed up automata, androids, and monstrous beings of all kinds. Their experiments are virtual simulations of the divine creation of man, and as such reflect the obsessions, feelings and emotions of their creators. Driven by the urge to recreate the 'spectacle of life', these artists make their characters appear life-like and 'emerge' from the film itself, so that they remain impressed on viewers' memory. The photographs in this book illustrate the many ways that special-effects artists have recreated the human form with inanimate materials. Includes contributions by Massimo Centini (holder of the Chair of Cultural Anthropology at the Università Popolare of Turin, a member of the Scientific Committee and Department of Anthropology of the European association of Traditional Medicines. He has written numerous texts, including Guida al sacro in Europa (Newton & Compton 2000). Jonny Costantino (journalist and film critic), Mara Granzotto (teacher of photography and exhibition curator), and Georges Vercheval (founder of the Photography Museum of Charleroi). Text in English and Italian.
Massimiliano Camellini, born in 1964, began a photographic cycle that metaphorically evokes the recurring dreams and instincts that have obsessed mankind through history. His works and related publications include Oltre le gabbie (2001), I Volanti (2004), and Duel (2006).

More from this author