Labour, Policy, and Ideology in East Asian Creative Industries

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Aesthetic Multiculturalism
Animation
Building Managers
Category=JHB
Category=JHBL
Category=JHM
Category=JHMC
China
Cinema
Comics
Content Industry
Cool Japan
country's cultural policy
Creative Economy
Creative Industries
Creative industry policy
creative labour
creative labour studies
Creative Worker Identities
cultural policy analysis
Culture
Design
Design Copying
East Asian sociology
East Asian's creative industries
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fast Fashion
government intervention in creative sectors
Hong Kong
identity politics research
illiberal pragmatism ideology
Japan
Japan's ubiquitous society
Japanese Media Products
Japanese Popular Culture
Korea
Korean Culture Industries
Korean Pop Music
Korean Popular Culture
Korean Wave
Lim Chin Siong
MDA
media industry regulation
Migrant Entrepreneurs
Nation Branding
Park Regime
Resident Tourist
Singapore
Singaporean Creative Industries
Taiwan
Theory and Critique
Tv Tokyo
Ubiquitous Network Society
Ubiquitous Society
urban cultural planning

Product details

  • ISBN 9780367333027
  • Weight: 460g
  • Dimensions: 174 x 246mm
  • Publication Date: 19 Nov 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book addresses some of the questions that have been brought to light by the varied experiences of culture industry workers and consumer publics across East Asia over the past decade.

For over twenty years, the creative industries have been seen as the engine driving global economic transformation, as a way out of the dilemmas of de-industrialization, and as key to the projection of national soft power. The chapters in this book cover the former ‘Tiger Economies’ of South Korea, Taiwan, and Singapore, as well as Japan and China, and focus on a number of different industries – cinema, television, graphic design, fashion, and literature. The authors include sociologists, anthropologists, and cultural studies scholars, who approach the topics of creative work, government policy, and entrepreneurial strategy from a variety of perspectives. The chapters examine the varied political, economic, and social structures that influence the development of creative industries within the region and reveal how the careers of creative industry workers in different cities and different industries can vary. They also show how the development of the creative industries can affect many aspects of society, including city planning, policing, democratic politics, and ethnic and national identities.

This book was originally published as a special issue of Culture, Theory and Critique.

Teri Silvio is an Associate Research Fellow at the Institute of Ethnology at the Academia Sinica, Taiwan. She is the author of Puppets, Gods, and Brands: Theorizing the Age of Animation from Taiwan (2019).

Lily H. Chumley is Associate Professor of Media, Culture and Communication at New York University, USA. She is the author of Creativity Class: Art School and Culture Work in Postsocialist China (2016).