Lahore Cinema

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A01=Iftikhar Dadi
Age Group_Uncategorized
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Author_Iftikhar Dadi
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B09=Anand A. Yang
B09=K. Sivaramakrishnan
B09=Padma Kaimal
Bombay
Category1=Non-Fiction
Category=APFA
Category=ATFA
Category=HBJF
Category=NHF
commercial cinema
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fantasy films
Language_English
melodrama
neorealism
PA=Available
Pakistan
Price_€20 to €50
PS=Active
softlaunch
South Asian cinema
South Asian film
South Asian folktales
South Asian mythology
Urdu culture
Urdu folklore

Product details

  • ISBN 9780295750811
  • Weight: 396g
  • Dimensions: 152 x 229mm
  • Publication Date: 08 Nov 2022
  • Publisher: University of Washington Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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A pioneering analysis of exemplary feature filmsCommercial cinema has been among the most powerful vectors of social and aesthetic modernization in South Asia. So argues Iftikhar Dadi in his provocative examination of cinema produced between 1956 and 1969—the long sixties—in Lahore, Pakistan, following the 1947 Partition of South Asia. These films drew freely from Bengali performance traditions, Hindu mythology, Parsi theater, Sufi conceptions of the self, Urdu lyric poetry, and Hollywood musicals, bringing these traditions into dialogue with melodrama and neorealism. Examining this layered context offers insights into a period of rapid modernization and into cultural affiliation in the South Asian present, when frameworks of multiplicity and plurality are in jeopardy.

Lahore Cinema probes the role of language, rhetoric, lyric, and form in the making of cinematic meaning as well as the relevance of the Urdu cultural universe to midcentury Bombay filmmaking. Challenging the assumption of popular cinema as apolitical, Dadi explores how films allowed their audiences to navigate an accelerating modernity and tense politics by anchoring social change across the terrain of deeper cultural imaginaries. By constituting publics beyond social divides of regional, ethnic, and sectarian affiliations, commercial cinema played an influential progressive role during the mid- and later twentieth century in South Asia.

Lahore Cinema is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem) and the generous support of Cornell University.

DOI: 10.6069/9780295750804

Iftikhar Dadi is John H. Burris Professor in History of Art at Cornell University. He is author of Modernism and the Art of Muslim South Asia and coeditor of Lines of Control: Partition as a Productive Space.

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