Akram Zaatari
Alba Fucens
Animated Photography
annette
antonio
Antonio Costa
antonioni
Archives De La
auteur theory cinema
british
Canadian Landscape
Category=ATFA
Category=JBCC1
Category=JBCT
Category=NH
Chat Noir
Cine Camera
cinematic space
Cq Ue
cultural identity film
Draughtsman's Contract
Draughtsman’s Contract
early film history
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Film Landscapes
Hale's Tours
Hale’s Tours
institute
Joana Hadjithomas
landscape representation in cinema
Long Shot
Magisterial Gaze
michelangelo
Michelangelo Antonioni
michelson
national cinema analysis
painting
Pathos Formulae
point
Ricci Lucchi
Structural Film
Temps Morts
Ur Dy
Vice Versa
Vincent Van Gogh
visual culture studies
Young Man
zabriskie
Zabriskie Point
Product details
- ISBN 9780415975551
- Weight: 564g
- Dimensions: 152 x 229mm
- Publication Date: 30 May 2006
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
Secure
checkout
Fast Shipping
Easy returns
Landscape is everywhere in film, but it has been largely overlooked in theory and criticism. This volume of new work will address fundamental questions: What kind of landscape is cinematic landscape? How is cinematic landscape different from landscape painting? How is landscape deployed in the work of such filmmakers as Greenaway, Rossellini, or Antonioni, to name just three? What are differences between the use of landscape in Western filmmaking and in the work of Middle Eastern and Asian filmmakers? How is cinematic landscape related to the idea of a national cinema and questions of identity. The first collection on the idea of landscape and film, this volume will present an impressive international cast of contributors, among them Jacques Aumont, Tom Conley, David B. Clarke, Marcus A. Doel, Peter Rist, and Antonio Costa.
Martin Lefebvre is Associate Professor in the Mel Oppenheim School of Cinema, Concordia University, Montreal.
