Language and Power on the Rhetorical Stage

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20th Century Play
A01=Fiona Harris Ramsby
Age Group_Uncategorized
Age Group_Uncategorized
Aid Body
Aid Virus
Angels in American
Angry Inch
Aristophanes
Author_Fiona Harris Ramsby
automatic-update
Battle Metaphors
Body
Bubbling Mixture
Category1=Non-Fiction
Category=AN
Category=ATD
Category=GTC
Category=JBCT
Category=JFD
CDA
CDP
Clouds
Conduit Metaphor
COP=United Kingdom
Critical discourse analysis
Delivery_Delivery within 10-20 working days
Directive Speech Acts
Embodied
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Exquisite Corpse
Hedwig
Hedwig And The Angry Inch
Iniquitous language
Judith Butler's theories
Language_English
Lanugage
M Butterfly
PA=Available
Performance
Platonic Socrates
Price_€100 and above
PS=Active
Queer Linguistics
Rhetoric
Rhetorical theories
Rhetorical Theory
Sara Baartman
softlaunch
Sophistic Logos
Stage
Suzan Lori Parks
Theater
Theatre
Theory
Torch Song
Trailer Park
Trans Athletes
Vice Versa
Western Rhetorical Tradition
White Voice
Young Man

Product details

  • ISBN 9780367421847
  • Weight: 1000g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Dec 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Through a fusion of narrative and analysis, Language and Power on the Rhetorical Stage examines how theater can enact critical discourse analysis and how micro-instances of iniquitous language use have been politically and historically reiterated to oppress and deny equal rights to marginalized groups of people.

Drawing from Aristophanes’ rhetorical plays as a template for rhetoric in action, the author poses the stage as a rhetorical site whereby we can observe, see, and feel 20th-century rhetorical theories of the body. Using critical discourse analysis and Judith Butler’s theories of the performative body as a methodological and analytical lens, the book explores how a handful of American plays in the latter part of the 20th century—the works of Tony Kushner, Suzan Lori-Parks, and John Cameron Mitchell, among others— use rhetoric in order to perform and challenge marginalizing language about groups that are not offered center stage in public and political spheres.

This innovative study initiates a conversation long overdue between scholars in rhetorical and performance studies; as such, it will be essential reading for academic researchers and graduate students in the areas of rhetorical studies, performance studies, theater studies, and critical discourse analysis.

Fiona (Freddie) Harris Ramsby is an Associate Professor of Rhetoric and Writing at Bloomfield College in New Jersey. She is also the Artistic Producer at The Company @ Bloomfield College, a collaborative student, staff, and faculty theatre initiative dedicated to promoting and producing new works and emerging artists.

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