Language, Custom and Nation in the 1790s

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A01=Susan Manly
anti-authoritarian literature
Author_Susan Manly
Category=DS
Common Language
Conciones Ad Populum
Copenhagen Fields
Edgeworth's Essay
Edgeworth's Practical Education
Edgeworth’s Essay
Edgeworth’s Practical Education
eighteenth-century linguistics
English Grammar
Epea Pteroenta
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Irish Bulls
Irish Speech
John Thelwall
Liswyn Farm
Locke's influence on Romantic poetry
Lockean Tradition
Lyrical Ballads
Man's Private Possession
Man’s Private Possession
political language theory
Protestant Ascendancy
Romantic Era Theories
Romantic radicalism
Savage Torpor
Sir George Beaumont
Tooke's Theory
Tooke's Work
Tooke’s Theory
Tooke’s Work
United Irish Movement
United Irishmen
United Irishmen uprising
Usual Organic Sensibility
women's intellectual history
Wordsworthian Romanticism
Young Men

Product details

  • ISBN 9781138356337
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Jan 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Language, Custom and Nation in the 1790s shows for the first time how the radical 'Jacobin' poets, and their ideas of a 'revolutionary' poetry, were impelled - even 'invented' - by the seventeenth-century English philosopher John Locke. For too long the revolutionary Romanticism and poetic experiments of the 1790s have been understood as responses to the American and French revolutions or attributed to the intellectual influence of Rousseau. The author counters these assumptions, by tracing threads of influence from Locke's ideas of 'arbitrary' language and tyranny, through Tooke's attacks on terms such as 'majesty' and 'law', to the supposedly 'real language' of Wordsworthian Romanticism. She breaks new ground in establishing Maria Edgeworth's place in Locke's anti-authoritarian tradition, contending that Edgeworth's work, produced in the shadow of the United Irishmen uprising, revives the politicisation of the idea of common language displaced in Wordsworth's neutralizing of Locke's radical impulse in the preface to Lyrical Ballads. The author's original and engaging book will appeal to scholars of 1790s radicalism, eighteenth-century linguistic theory, women's writing, and the relations between Britain and Ireland.

Susan Manly

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