Language, Science and Popular Fiction in the Victorian Fin-de-Siècle

Regular price €68.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Christine Ferguson
Animal Kingdom
Animal Language
Animal Language Research
Arthur Holmwood
Author_Christine Ferguson
British Barbarians
brutal
Brutal Language
Category=DSB
Category=DSBF
Conferred
corelli
creedy
Edgar Rice Burroughs's Tarzan
Edgar Rice Burroughs’s Tarzan
Effi E
English Dialect Dictionary
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fi Ll
Fi Lthy Lucre
Great Divide
Great Taboo
Human Language
john
John Creedy
language evolution in Victorian fiction
languages
Late Victorian
linguistic anthropology
Linguistic Primitivism
literary degeneration theory
Lord Godalming
Lucy Westenra
marie
mass readership studies
max
Non-standard English
nordau
Popular Fi Ction
popular novel criticism
Popular Romance
romance
savage
Savage Languages
scientific discourse analysis
Vampire Hunters
Victorian philology

Product details

  • ISBN 9781138262805
  • Weight: 350g
  • Dimensions: 156 x 234mm
  • Publication Date: 19 Oct 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns
Christine Ferguson's timely study is the first comprehensive examination of the importance of language in forming a crucial nexus among popular fiction, biology, and philology at the Victorian fin-de-siècle. Focusing on a variety of literary and non-literary texts, the book maps out the dialogue between the Victorian life and social sciences most involved in the study of language and the literary genre frequently indicted for causing linguistic corruption and debasement - popular fiction. Ferguson demonstrates how Darwinian biological, philological, and anthropological accounts of 'primitive' and animal language were co-opted into wider cultural debates about the apparent brutality of popular fiction, and shows how popular novelists such as Marie Corelli, Grant Allen, H.G. Wells, H. Rider Haggard, and Bram Stoker used their fantastic narratives to radically reformulate the relationships among language, thought, and progress that underwrote much of the contemporary prejudice against mass literary taste. In its alignment of scientific, cultural, and popular discourses of human language, Language, Science, and Popular Fiction in the Victorian Fin-de-Siècle stands as a corrective to assessments of best-selling fiction's intellectual, ideological, and aesthetic simplicity.
Christine Ferguson is Lecturer in English at the University of Glasgow, Scotland.

More from this author