Lars von Trier's Cinema

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A01=Rebecca Ver Straten-McSparran
Adamic Myth
Aesthetics of prophecy
Andrei Rublev
Andrei Tarkovsky
Antichrist
Author_Rebecca Ver Straten-McSparran
Biblical Prophet
biblical symbolism in film
Binary Conjunction
Category=ATFX
Classical Prophets
DVD Interview
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
extreme cinema studies
Ezekiel 16
Ezekiel's Prophecy
film hermeneutics
Holy Spirit
Jack Built
Lars Von Trier
Magisterial Theology
Mid-fifth Century BCE
Narrative Metaphor
Narrative structures
OT Prophet
Paradise lost
Prophetic Discourse
Prophetic voice
prophetic voice in contemporary cinema
Prophets and prophecy
Ricoeur's Hermeneutics
Spiritual Blindness
Spiritual conflict
spiritual conflict analysis
Tarkovsky
theological aesthetics
trauma and spectatorship
Von Trier
Von Trier's Films
Young Man

Product details

  • ISBN 9780367775742
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book offers a bold and dynamic examination of Lars von Trier’s cinema by interweaving philosophy and theology with close attention to aesthetics through style and narrative. It explores the prophetic voice of von Trier's films, juxtaposing them with Ezekiel's prophecy and Ricoeur’s symbols of evil, myth, and hermeneutics of revelation.

The films of Lars von Trier are categorized as extreme cinema, inducing trauma and emotional rupture rarely paralleled, while challenging audiences to respond in new ways. This volume argues that the spiritual, biblical content of the films holds a key to understanding von Trier’s oeuvre of excess. Spiritual conflict is the mechanism that unpacks the films’ notorious excess with explosive, centrifugal force.

By confronting the spectator with spiritual conflict through evil, von Trier's films truthfully and prophetically expose the spectator’s complicity in personal and structural evil, forcing self-examination through theological themes, analogous to the prophetic voice of the transgressive Hebrew prophet Ezekiel, his prophecy, and its form of delivery. Placed in context with the prophetic voices of Dante, Milton, Dostoyevsky, O’Connor, and Tarkovsky, this volume offers a theoretical framework beyond von Trier. It will be of great interest to scholars in film studies, film and philosophy, film and theology.

Rebecca Ver Straten-McSparran has a PhD in theological aesthetics from King's College London and is former director of the L.A. Film Studies Center. She has an MDiv from Fuller Theological Seminary and is an ordained minister. Rebecca has executive produced and worked on award-winning films, and currently provides consultation services for higher education film programs, productions, and independent filmmakers.

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