Last Looks, Last Books

Regular price €31.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Helen Vendler
Adjective
Age Group_Uncategorized
Age Group_Uncategorized
Amputation
Ars Poetica (Horace)
Author_Helen Vendler
automatic-update
Binocular vision
Burial
Caspar David Friedrich
Category1=Non-Fiction
Category=DSBH
Category=DSC
Coffin
COP=United States
Couplet
Death
Death and Life
Death drive
Deathbed
Delivery_Delivery within 10-20 working days
Desiccation
Diction
Disjecta membra
Elizabeth Bishop
Emptiness
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Executive director
Ezra Pound
Fine art
Hexameter
Human extinction
Impermanence
In Death
Irony
James Merrill
John Donne
Lady Lazarus
Lament
Language_English
Last Poems
Lecture
Lycidas
Melodrama
Metaphor
Misery (novel)
Mourning
Narcissism
Narrative
National Gallery of Art
National Humanities Center
Ottava rima
Otto Plath
PA=Available
Pentameter
Pity
Plath
Poetry
Price_€20 to €50
Princeton University Press
PS=Active
Rhyme scheme
Rigor mortis
Robert Lowell
Sadness
Sestet
She Died
Slowness (novel)
softlaunch
Sonnet
Stanza
Subtraction
Suffering
Sylvia Plath
Ted Hughes
Tercet
The Other Hand
The Snapper (novel)
Tyvek
Villanelle
Vocation (poem)
Wallace Stevens
Wasting
William Shakespeare
Writing

Product details

  • ISBN 9780691145341
  • Weight: 340g
  • Dimensions: 140 x 216mm
  • Publication Date: 21 Mar 2010
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns
In Last Looks, Last Books, the eminent critic Helen Vendler examines the ways in which five great modern American poets, writing their final books, try to find a style that does justice to life and death alike. With traditional religious consolations no longer available to them, these poets must invent new ways to express the crisis of death, as well as the paradoxical coexistence of a declining body and an undiminished consciousness. In The Rock, Wallace Stevens writes simultaneous narratives of winter and spring; in Ariel, Sylvia Plath sustains melodrama in cool formality; and in Day by Day, Robert Lowell subtracts from plenitude. In Geography III, Elizabeth Bishop is both caught and freed, while James Merrill, in A Scattering of Salts, creates a series of self-portraits as he dies, representing himself by such things as a Christmas tree, human tissue on a laboratory slide, and the evening/morning star. The solution for one poet will not serve for another; each must invent a bridge from an old style to a new one. Casting a last look at life as they contemplate death, these modern writers enrich the resources of lyric poetry.
Helen Vendler is the A. Kingsley Porter University Professor at Harvard University. Her many books include "Invisible Listeners: Lyric Intimacy in Herbert, Whitman, and Ashbery "(Princeton), as well as studies of Shakespeare, Keats, Yeats, Stevens, and Heaney. She is a frequent reviewer for the "New Republic", the "New York Review of Books", and other publications.

More from this author