Last Troubadours

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A01=Deirdre O'Grady
Alessandro Scarlatti
Anna Bolena
Antonio Cesti
Arrigo Boito
Attilio Regolo
Author_Deirdre O'Grady
Canto III
Casta Diva
Category=AVLA
Category=AVLF
Category=NHTB
Della
Didone Abbandonata
Enlightenment influence opera
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Fan Tutte
II Trovatore
Il Pirata
Il Trovatore
Italian cultural history
Italian History
Italian Music
Italian operatic libretto
La Dame Aux
La Gioconda
La Traviata
Lasciatemi Morir
libretto analysis
literary adaptation studies
Lombardi Alla Prima Crociata
Lucia Di Lammermoor
Mad Scene
Maria Stuarda
Music History
musicology research
national identity in music
Nineteenth-Century
Opera
opera libretti historical context
Orfeo Ed Euridice
Pastoral Drama
political reform
revolutionary ardour
social realism
Spanish aristocracy
Venetian Opera
Young Man

Product details

  • ISBN 9781138365131
  • Weight: 303g
  • Dimensions: 138 x 216mm
  • Publication Date: 01 Jun 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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First published in 1991. At once poet, dramatist, adaptor and translator, the operatic librettist in turn expresses and mocks social convention. Deirdre O'Grady's study of the Italian operatic librettist identifies opera as a mirror of literary climates, popular taste and political aspirations. The Last Troubadours traces the history of the Italian libretto from its courtly origin in the 16th century, through the crisis of the aristocracy and the 19th-century struggle for national unity, to the birth of social realism. Fundamental elements of Italian opera - heroic valour, cunning servants, revolutionary ardour and romantic tenderness - are considered in their historical and cultural context. Also discussed are famous lyrical and musical collaborations - of Da Ponte and Mozart, Solera and Verdi, Romani and Bellini, and Boito and Verdi.

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