Late Great Johnny Ace and the Transition from R&B to Rock 'n' Roll

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50s R&B
50s rock
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African American artists
African American musicians
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ballads
black artists
black music
black musicians
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chitlin circuit
Clair Alexander
Don Robey
Duke Records
early rock and roll
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Evelyn Johnson
hit songs
Houston artists
Houston music
Houston music scene
influential 50s singers
James Mattis
Johnn Ace career
Johnny Ace biography
Johnny Ace hit songs
Johnny Ace hits
Johnny Ace life story
Johnny Ace music
Johnny ace recordings
Johnny Ace songs
Johnny Ace tours
Memphis music
Memphis music scene
Memphis musicians
Memphis R&B
Memphis recording artists
Peacock Records
R&B musicians
rhythm and blues
rhythm and blues artists
rhythm and blues artists in Memphis

Product details

  • ISBN 9780252069697
  • Weight: 513g
  • Dimensions: 152 x 229mm
  • Publication Date: 24 Jan 2001
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
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Johnny Ace's crooning style and stirring ballads made him the first postwar African American artist to cross over to a white audience. After a string of R&B hits, Ace released the million-selling "Pledging My Love," a song headed to the top of the charts when the singer accidentally shot himself in his dressing room between sets at a show. 

James M. Salem captures the enigmatic, captivating, and influential R&B legend. Venturing from raucous Beale Street to Houston's vibrant Fourth Ward, Salem places Johnny Ace within a multifaceted world of postwar rhythm and blues that included B. B. King, Johnny Otis, Big Mama Thornton, and Gatemouth Brown. Salem also examines how entrepreneur Don D. Robey and his wife Evelyn Johnson promoted Ace to the top of the charts. Yet fame, as always, had a price. Ace's tours on the Chitlin' Circuit meant endless one-night stands and a grueling schedule that kept him on the road 340 days per year. 

Comprehensive and filled with anecdotes, The Late Great Johnny Ace and the Transition from R&B to Rock 'n' Roll tells the story of the star who fused black and white styles and changed American popular music forever.

James M. Salem was a professor emeritus in and longtime chair of the Department of American Studies at the University of Alabama.

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