Latin American Filmmakers and European Film Funds

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A01=Boleslaw Racieski
art cinema
audiovisual funding mechanisms
Author_Boleslaw Racieski
Category=ATFA
Category=ATFX
Category=GTM
Category=GTP
Category=JBCT
Category=JBSL
Category=KFFH
Category=KNTC
Category=NH
Central American cinema
Cinema industry
Colonialism
creative resistance strategies
cultural policy analysis
Directors
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eq_business-finance-law
eq_history
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eq_nobargain
eq_non-fiction
eq_society-politics
European funding impact on Latin American cinema
Film funding
Film industry
Filmmakers
Global South
intercultural power dynamics
Latin American cinema
Media industry
Neo-colonialism
neocolonialism
Post-colonialism
Postcolonialism
Producers
qualitative film research
South American cinema
transnational media studies
transnationality

Product details

  • ISBN 9781032672311
  • Weight: 490g
  • Dimensions: 156 x 234mm
  • Publication Date: 22 Jan 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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As filmmakers in the Global South are increasingly faced with the choice of succumbing to foreign visions of their own culture or losing access to indispensable funds and future prospects, this study explores this quandary through studying filmmaker’s own perspectives.

The book focuses on filmmakers’ individual approaches to European film funds, arguing not only that these creator-sponsor relationships are highly complex, but also that filmmakers are fully able to develop various strategies of resistance by reframing these relationships. The author explores the mechanics of European film funding and how filmmakers position themselves within the system, and demonstrates how these strategies are also present in film texts themselves – movies funded by European institutions often scrutinise the notion of intercultural relationships and power struggles, negotiating widespread perspectives on intercultural exchange. Excerpts from interviews with filmmakers, producers, adjudicators of funds and representatives of various cultural institutions are woven into scholarly arguments, theoretical reflections, and film analyses to create a narrative about Latin American filmmakers who manage to overcome obstacles and create novel, exciting ways of sharing their intercultural experiences.

This informative and nuanced study will interest students and scholars of media studies, film studies, South- and Central-American cinema, media industries, economics, politics, communication studies, and languages.

Bolesław Racięski is an assistant professor at the Faculty of "Artes Liberales" at the University of Warsaw, Poland.

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