20e21e siecles
20th21st century
A01=Mercedes Baillargeon
Author_Mercedes Baillargeon
autobiographie
autobiography in literature
autofiction au feminin
Category=DSB
Category=DSRC
criticism and interpretation
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
etudes de genres
fiction
France
French fiction
French history and criticism
gender studies
histoire et critique
identite et nationalisme
identity and nationalism
litterature des femmes
media studies
medias
theorie et interpretation
women's autofiction
women's writing
Product details
- ISBN 9781557538574
- Weight: 368g
- Dimensions: 152 x 226mm
- Publication Date: 15 Apr 2019
- Publisher: Purdue University Press
- Publication City/Country: US
- Product Form: Paperback
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Looking at questions of testimony, confession, trauma,sexuality, and violence in (semi-) autobiographical works, this book explores the co-construction of personal and collectiveidentities by women writers in the age of self-disclosure and mass media. In a time when literature is accused of being self-centeredand overly narcissistic, women's autofiction in France since the turn of the millennium has been received with controversy because it disrupts readily accepted ideas about personal and national identities, gender and race, and fiction versus autobiography. Through the study of polemical writers Christine Angot, Chloé Delaume, and Nelly Arcan, Mercédès Baillargeon contendsthat, by recounting personal stories of trauma and sexuality, and thus opposing themselves in opposition to social convention, and by refusing to dispel doubtsregarding the fictional or factual nature of their texts, autofiction resists and helps redefine categories of literary genreand gender identity. This book analyzes concurrently the textual and sociopolitical implications that underlie the (de)construction of the autofictional subject, and particularly how these writers constantly redefine themselves through performance andself-fashioning made possible by media and technology. Moreover, this workraises important questions relating to the media's complicated relationship with women writers, especially those who discuss themes of trauma, sexuality,and violence, and who also question the distinction between fact and fiction. Proposing a new understanding of autofiction as a form of littérature engagée, this work contributes to a broader understanding of the French publishing establishment and, of the literary field as a cultural institution, as well asnew insight on shifting notions of identity, the Self and nationalism intoday's ever-changing and multicultural French context.
Mercédès Baillargeon is an assistant professor of French and Francophone Studies at the University of Maryland. Her research focuses on the aesthetics, ethics, and politics of twentieth- and twenty-first-century first-person narrative, the intersection between public/private spaces and discourses, and the (de)construction of personal and/or collective identities. She has contributed to several edited volumes, and has published in the journals Québec Studies, Women in French Studies. She is coediting an upcoming special issue of the journal Contemporary French Civilization on “The Transnationalism of Québec Cinema and (New) Media” with Karine Bertrand (Queen’s University). She is also a coeditor for a collection of essays on third-wave feminism in Québec, Remous, ressacs et dérivations autour de la troisième vague féministe, published by Éditions du Remue-ménage in 2011. Her current research explores the question of (post/trans)nationalism in Québec cinema of the new millennium.
