A01=Giovanni Vacca
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alan
Alan Stivell
Author_Giovanni Vacca
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B01=Allan F. Moore
ballads
Bella Ciao
Big Hewer
British folk music
British Folk Revival
Broadside Ballads
Category1=Non-Fiction
Category=AVC
Category=AVGH
Category=AVGP
Category=AVL
Category=AVLP
Category=AVLT
Celtic Music
Christy Moore
COP=United Kingdom
cultural history Britain
Delivery_Pre-order
english
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
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eq_nobargain
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European folk activism
FECD
Foggy Dew
folk
Folk Club
Folk Music
Folk Music Revival
Folk Revival
folk revival historical context
Folk Revival Movement
Incremental Repetition
Industrial Folk Songs
John Axon
Language_English
music ethnography
oral tradition studies
PA=Temporarily unavailable
peggy
political song analysis
Price_€20 to €50
PS=Active
radio
Radio Ballad
revival
Roberto Leydi
Scots Musical Museum
seeger
Singers Club
softlaunch
song
Steeleye Span
stivell
Theatre Workshop
Young Man
Product details
- ISBN 9780367669140
- Weight: 550g
- Dimensions: 156 x 234mm
- Publication Date: 30 Sep 2020
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
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Ewan MacColl is widely recognized as a key figure in the English folk revival, who tried to convey traditional music to a mass audience. Dominant in the movement during the 1950s and much of the 1960s, his position has come under attack in more recent years from some scholars. While it would be arrogant to claim to 'set the record straight', this book will contribute significantly to the debate surrounding MacColl's importance. MacColl gave two extended interviews with co-editor Giovanni Vacca in 1987 and 1988, not long before his death, and these provide the impetus for a re-examination of his methods, his politics and his aesthetic aims. The book also provides critical overviews of MacColl's activities in the revival and of his practices, particularly as writer and singer. The time is ripe for such a contribution, following Peter Cox's study of the Radio Ballads, and in the context of biographies by Joan Littlewood and Frankie Armstrong. The contributions locate MacColl in his own historical context, attempting to understand some of the characteristic techniques through which he was able to write and sing such extraordinary songs, which capture so well for others the detail and flavour of their lives. Great emphasis is placed on the importance of seeing MacColl as not only a British, but a European folk activist, through discussion of his hitherto barely known work in Italy, enabling a re-contextualization of his work within a broader European context. The interviews themselves are fluent and fascinating narrations in which MacColl discusses his life, music, and experiences in the theatre and in the folk music revival as well as with a series of issues concerning folk music, politics, history, language, art and other theoretical issues, offering a complete description of all the repertories of the British Isles. Peggy Seeger contributes a Foreword to the collection.
Allan F. Moore is Professor of Popular Music at the University of Surrey, UK. His chief research interests lie in the domain of the interaction of music and lyrics in recorded song in the service of potential readings. He is series editor of Ashgate’s ’Library of Essays in Popular Music’ and author to date of five monographs including Rock: the Primary Text and Song Means (both Ashgate). Giovanni Vacca has worked extensively on folk music, folk and urban cultures and songwriting, and holds a PhD from Sapienza University of Rome. He has published Il Vesuvio nel motore (1999), on Neapolitan working class music, Nel corpo della tradizione (2004), an anthropological study on Southern Italy folklore and Gli spazi della canzone (2013), about the Neapolitan Song. He has occasionally written song lyrics for Neapolitan world music.
