Lesbianism, Cinema, Space

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A01=Lee Wallace
Aldrich's Fi Lm
Aldrich’s Fi Lm
Author_Lee Wallace
Bitter Tears
Category=ATFA
Category=GTM
Category=JBCT
Category=JBSF
Category=JBSJ
Category=NH
Children's Hour
Children’s Hour
cinematic
Cinematic Space
Club Silencio
code
Dark Haired Woman
drive
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fassbinder's Fi Lm
Fassbinder’s Fi Lm
female
female sexual visibility
Fi Lm
Fi Ve
Hitchcock's Fi Lm
Hitchcock’s Fi Lm
Hollywood Fi Lmmakers
Lesbian Bar
Lesbian Historiography
lesbian identity in film studies
Lesbian Representation
Lesbian Story
lms
Lynch's Fi Lm
Lynch’s Fi Lm
mise-en-scene analysis
MPPDA
mulholland
post-Production Code cinema
production
Production Code
Production Code Era
queer film theory
Red Chevy
single
Single White Female
social theory critique
spatial representation
story
Thriller Plot
Water Falling
white
Wyler's Fi Lm
Wyler’s Fi Lm
Young Man

Product details

  • ISBN 9780415808026
  • Weight: 340g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Aug 2011
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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In this cutting edge volume, Wallace identifies a unique trend in post-Production Code films that deal with lesbian content: stories of lesbianism invariably engage with an apartment setting, a spatial motif not typically associated with lesbian history or cultural representation. Through the formal analysis of five lesbian apartment films, Wallace demonstrates how the standard repertoire of visual techniques and spatial devices (the elements of mise-en-scène, favoured locations and sets, classical systems of editing, and the implied story world itself) are used to scaffold female sexual visibility. With its sustained focus on the filmic syntax surrounding lesbian representation on screen in the post-Production Code era, the book comprises an original contribution to queer film studies. In addition, Wallace also deploys its discussion of lesbianism and cinematic space to critique a number of tendencies in contemporary social theory, particularly the theoretical identification of public sex cultures as the basis for a queer counterpublic sphere.

Lee Wallace is Senior Lecturer in the Department of English at the University of Auckland.  She is the author of Sexual Encounters: Pacific Texts, Modern Sexualities (2003).

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