Lessons in Perception

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A01=Paul Taberham
aesthetic interest
aesthetics
Allusion
audiovisual
Author_Paul Taberham
avant-garde film
avant-garde filmmaking
Category=ATFA
Category=JMR
Cinema
cognition
cognitive film theory
cognitive science
distortion
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
experimental cinema
film studies
fusion flicker
Hollywood
Jordan Belson
Maya Deren
motion
narrative
perceptual psychology
practical psychology
psychology
reactive
Robert Breer
spectator
Stan Brakhage
untutored eye
visual experience
visual music
visual perception

Product details

  • ISBN 9781800737242
  • Dimensions: 152 x 229mm
  • Publication Date: 14 Oct 2022
  • Publisher: Berghahn Books
  • Publication City/Country: GB
  • Product Form: Paperback
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Narrative comprehension, memory, motion, depth perception, synesthesia, hallucination, and dreaming have long been objects of fascination for cognitive psychologists. They have also been among the most potent sources of creative inspiration for experimental filmmakers. Lessons in Perception melds film theory and cognitive science in a stimulating investigation of the work of iconic experimental artists such as Stan Brakhage, Robert Breer, Maya Deren, and Jordan Belson. In illustrating how avant-garde filmmakers draw from their own mental and perceptual capacities, author Paul Taberham offers a compelling account of how their works expand the spectator’s range of aesthetic sensitivities and open creative vistas uncharted by commercial cinema.

Paul Taberham is Associate Professor in Animation Studies at the Arts University Bournemouth. He is the coeditor of Cognitive Media Theory (2014) and The New Experimental Animation: From Analogue to Digital (2018). Paul has appeared on radio, spoken internationally at conferences, and published articles for several edited collections and journals including Projections: The Journal for Movies and Mind and Animation Journal. He is a fellow of The Society for Cognitive Studies of the Moving Image.

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