Letters, Postcards, Email

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A01=Esther Milne
Advanced Research Projects Agency Network
affective correspondence
Author_Esther Milne
barrett
body
browning
Category=GTC
Category=JBCC
Category=JBCT
Category=JBF
Category=NH
CMC
communication
communication studies
corporeal
discourse
Email Discussion Lists
English Mail Coach
epistolary
Epistolary Communication
Epistolary Discourse
Epistolary Exchange
Epistolary Friendship
Epistolary Practice
Epistolary Privacy
Epistolary Subject
epistolary theory
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fi Ddle
Fl Esh
Interface Message Processors
Mail Coach
Mail Coach Service
material signifiers
mediated intimacy
networked interaction
picture
Picture Postcard
Postal Cards
Postcard Image
practice
presence in digital communication
privacy
Sir WILLIAM
Sondheim's Work
Sondheim’s Work
United States Postal Service
USPS
Visiting Cards
William Fuller

Product details

  • ISBN 9780415993289
  • Weight: 680g
  • Dimensions: 152 x 229mm
  • Publication Date: 03 Feb 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In this original study, Milne moves between close readings of letters, postcards and emails, and investigations of the material, technological infrastructures of these forms, to answer the question: How does presence function as an aesthetic and rhetorical strategy within networked communication practices? As her work reveals, the relation between old and new communication systems is more complex than allowed in much contemporary media theory.

Although the correspondents of letters, postcards and emails are not, usually, present to one another as they write and read their exchanges, this does not necessarily inhibit affective communication. Indeed, this study demonstrates how physical absence may, in some instances, provide correspondents with intense intimacy and a spiritual, almost telepathic, sense of the other’s presence. While corresponding by letter, postcard or email, readers construe an imaginary, incorporeal body for their correspondents that, in turn, reworks their interlocutor’s self-presentation. In this regard the fantasy of presence reveals a key paradox of cultural communication, namely that material signifiers can be used to produce the experience of incorporeal presence.

Esther Milne is Lecturer, Department of Media and Communications, Faculty of Life and Social Sciences, Swinburne University, Melbourne, Australia.

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