Lieder in America

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A01=Heather Platt
Age Group_Uncategorized
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American nationalism
American songs
annotated lieder scores
Author_Heather Platt
automatic-update
Boston
canon formation
Category1=Non-Fiction
Category=AVC
Category=AVLA
Category=HBJK
Category=NHK
chamber music concerts
Chicago
COP=United States
cultural uplift
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
German immigrants
high art
Language_English
lieder
lieder cycles
lieder in English translation
lieder interpretation
London
New York
newspapers
nineteenth century
normal schools
PA=Available
Price_€100 and above
PS=Active
sheet music
singers
softlaunch
song recital
song recital or programs
transatlantic transfer of culture
United States
Vienna
women
women's music clubs
women’s music clubs
World War I

Product details

  • ISBN 9780252045486
  • Weight: 454g
  • Dimensions: 156 x 235mm
  • Publication Date: 07 Nov 2023
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Lieder and the rise of song recital in the United States, 1850–1914

Though viewed as quintessentially German, lieder became a centerpiece of nineteenth century song recitals in the United States. By the 1890s, these songs, which were often sung in English, were a sensation among tutored and untutored music lovers alike. Heather Platt examines the varied supporters and singers who both established the lied as a concert repertoire and shaped a new kind of recital dedicated to art songs. Lieder were embraced and spread by performers like Max Heinrich and advocates like John Sullivan Dwight, as well as by the women’s clubs that flourished nationwide. At the same time as examining the critical reception of the artists and songs, Platt reveals ways in which US recital programs anticipated trends in European recitals. She also places lieder against the backdrop of the time, when factors like the growth in the sheet music industry, the evolution of American art song, and emerging anti-German feeling had a profound impact on the genre’s popularity.

Heather Platt is Sursa Distinguished Professor of Fine Arts and professor of music at Ball State University. She is the author of Johannes Brahms: A Research and Information Guide second edition, and coeditor of Expressive Interactions in Brahms: Essays in Analysis and Meaning.

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