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A01=Michael Lewis (Translator)
A01=Soeda Azembo
Ascetic Practices
Author_Michael Lewis (Translator)
Author_Soeda Azembo
Bales
Category=DS
Category=GTM
Category=JB
cultural modernity Asia
Dim
enka
enka music culture
Enka Singers
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eq_biography-true-stories
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Follow
Glass Paned Windows
haiku
High Coat
hirobumi
Hold
Ichiro
inari
Inclined
ito
Longhouse
mass entertainment studies
Miso
modern Japanese history
Money World
North China Incident
Odd
Owada
Oyama
pilgrimage
Pleasure Quarters
poet
political protest songs
Precincts
prewar Japanese popular culture analysis
Satsuma
shikoku
Shikoku Pilgrimage
shrine
singer
Snake Catcher
social change Japan
Sutra
Tokyo Asahi
Young Man

Product details

  • ISBN 9780415592161
  • Weight: 600g
  • Dimensions: 156 x 234mm
  • Publication Date: 20 Jul 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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A Life Adrift, the memoir of balladeer-political activist Soeda Azembo (1872-1944), chronicles his life as one of Japan’s first modern mass entertainers and imparts an understanding of how ordinary people experienced and accommodated the tumult of life in prewar Japan. Azembo created enka songs sung by tenant farmers in rural hinterlands and factory hands in Tokyo and Osaka. Although his work is still largely unknown outside Japan, his poems and lyrics were so well known at his career’s peak that a single verse served as shorthand expressing popular attitudes about political corruption, sex scandals, spiralling prices, war, and love of motherland. As these categories attest, he embedded in his songs contemporary views on class conflict, gender relations, and racial attitudes toward international rivals. Ordinary people valued Azembo’s music because it was of them and for them. They also appreciated it for being distinctively modern and home-grown, qualities rare among the cultural innovations that flooded into Japan from the mid-nineteenth century. A Life Adrift stands out as the only memoir of its kind, one written first-hand by a leader in the world of enka singing.

Michael Lewis is Professor of History at Michigan State University.

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