Light for Art's Sake

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A01=Christopher Cuttle
ambient
Ambient Illumination
Ambient Lighting System
Author_Christopher Cuttle
Beam Angle
Category=ATDH
Category=GLZ
CCT
central
Central Skylight
conservation science
daylighting strategies
designer
electric
electric lighting controls
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
exhibition display techniques
General Colour Rendering Index
illumination
Indoor Surface Temperature
Kimbell Art Museum
L2 Zone
L3 Zone
lighting
Lighting Category
Low Ambient Illumination
Low Ambient Light Level
Luminous Intensity
Multiple Glazing Units
museum
Museum Lighting
museum object lighting optimisation
preventive conservation methods
Radiant Heating Effect
reflections
Responsive Materials
Responsive Objects
Room Surface Exitance
Room Surface Reflectance
skylight
UV Block
UV Meter
veiling
Veiling Reflections
visual perception in galleries
Zealand Limited

Product details

  • ISBN 9780750664301
  • Weight: 720g
  • Dimensions: 189 x 246mm
  • Publication Date: 27 Mar 2007
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Conservation scientists in museums and galleries have a clear understanding of the damage that light can inflict on an object, but what of the designers that create exhibitions to display these precious items? Light for Arts Sake provides a basis for a level of professional expertise for lighting practice in museums. Rather than portraying conservation and display as having diametrically opposed objectives, the central concept is that the interaction of light and art media is the source for both the visual experience and the degradation of the artwork. Optimal solutions derive from understanding and controlling the interaction process, and the need is for the level of understanding among lighting professionals to be brought closer to that found among conservation scientists.
Christopher "Kit" Cuttle is currently Senior Lecturer in Architectural Technology at the University of Auckland. From 1957 he worked as a specialist architectural lighting designer and advisor, and since 1976 he has been lecturing on the subject in New Zealand, the UK and the US. He holds qualifications in illumination, electrical engineering and architecture, and has published 100 papers and articles on lighting.

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