Light Touches

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A01=Alice Barnaby
Author_Alice Barnaby
Category=AGA
Category=JBCT
Category=NHD
Category=NHTB
craig
cultural history of lighting practices
Delicate Empiricism
Dense
Dim
Drury Lane Theatre
Dulwich Picture Gallery
embodied vision theory
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
gardens
George III
Getty Museum
gin
Gin Palace
Great Exhibition's Crystal Palace
Great Exhibition’s Crystal Palace
illumination technologies history
john
John Soane
Kedleston Hall
King George III
La Belle
Lighting Practices
material culture analysis
Municipal Art
Municipal Art Galleries
Muslin Dresses
nineteenth-century visual culture
OOO
painting
palaces
pleasure
Protean View
Royal Academy
sensory perception studies
soane
transparent
Transparent Imagery
Transparent Paintings
Transparent Prints
urban modernity research
vauxhall
Vauxhall Gardens
Vauxhall Pleasure Gardens

Product details

  • ISBN 9780367595784
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Aug 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Light Touches: Cultural Practices of Illumination, 1800-1900 explores how urban lives in the nineteenth century were increasingly touched by innovations in the technologies and aesthetics of illumination. Dramatic changes in qualities of light – and darkness – became acutely palpable to the human sensorium; using, seeing, feeling, and being in light were now matters of intense personal and cultural concern. Light gave meaningful vitality to the period’s material culture, and light itself became something to be perceptually consumed.

Over the course of six chapters Alice Barnaby traces how light was used in amateur artistic pastimes, interior design and clothing fashions, spectacular public amusements, volatile street demonstrations, and art gallery designs. From these previously unexplored examples a more complex history of light in the period emerges. Society’s fascination with illumination, its desire to work with it and make meaning from it gave rise to a distinctly new set of cultural practices. Through these practices unexpected discoveries about the modern world were revealed. Light proved to be instrumental in everyday acts of experimentation and imaginative enquiry.

Barnaby offers an intervention into the dominant scholarly narrative of the nineteenth century which traditionally reads modernity as synonymous with the formation of a spectacular, disembodied visuality. Light Touches, in contrast, returns vision to the body and foregrounds the actively felt - as well as seen - sensation of light. In coming to understand these cultural practices of illumination, the book reconsiders many assumptions about nineteenth-century modernity.

Alice Barnaby is Associate Professor of Nineteenth-Century Literature and Culture at Swansea University, UK.

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