Liminal Infrastructure – The Optics Division of the Metabolic Studio

Regular price €13.99
A01=Gregory J. Harris
A01=Lauren Bon
A01=Lawrence Weschler
A01=Marjorie Agosin
A01=Optics Division of the Metabolic Studio
A01=Optics Division Optics Division
Author_Gregory J. Harris
Author_Lauren Bon
Author_Lawrence Weschler
Author_Marjorie Agosin
Author_Optics Division of the Metabolic Studio
Author_Optics Division Optics Division
Category1=Non-Fiction
Category=AJ
Category=NL-AJ
COP=United States
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Format=BC
HMM=262
IMPN=DePaul University Art Museum
ISBN13=9780985096007
PA=To order
PD=20150818
POP=Chicago
Price=€5 to €10
PS=Active
PUB=DePaul University Art Museum
SMM=5
Subject=Photography & Photographs
WG=100
WMM=208

Product details

  • ISBN 9780985096007
  • Weight: 340g
  • Dimensions: 216 x 266 x 5mm
  • Publication Date: 15 Aug 2015
  • Publisher: DePaul University Art Museum
  • Publication City/Country: Chicago, US
  • Product Form: Paperback
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days: On Backorder

Will Deliver When Available: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

Led by artists Lauren Bon, Richard Nielsen, and Tristan Duke, the Optics Division of the Metabolic Studio is a team devoted to exploring and expanding the photographic medium. Working with the Liminal Camera, a massive, portable camera obscura fashioned from a shipping container, the Optics Division uses experimental technology in an ongoing effort to map and depict the American landscape. From the arid West to New York's waterways, the camera has captured dramatic scenes of regions in transition. As part of this project, The Liminal Camera presents newly commissioned photographs made in and around Chicago. Though enormous in size, the camera, transported on a semi-trailer truck, was unobtrusive from an outsider's perspective, allowing the artists to work without drawing attention. Photographs could be developed from within the shipping container, blending the image's subject with the process of photography itself. The resulting large-scale prints not only highlight the evolving history of photographic imaging, but also locate the city within a complex global network of transportation systems, industry, and commerce.
Lauren Bon is director of the Los Angeles-based Metabolic Studio, where Richard Nielsen and Tristan Duke oversee the Optics Division. Lawrence Weschler is a former staff writer for the New Yorker and artistic director emeritus of the Chicago Humanities Festival. Gregory J. Harris is assistant curator at the DePaul Art Museum in Chicago.