Liminal Whiteness in Early US Fiction

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A01=Hannah L. Murray
A01=Hannah Lauren Murray
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Author_Hannah L. Murray
Author_Hannah Lauren Murray
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Category1=Non-Fiction
Category=DSK
Category=JBSL
Category=JFSL
COP=United Kingdom
critical whiteness studies
death
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eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Language_English
LIminality
Nineteenth-century American literature
PA=Available
Price_€50 to €100
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race
softlaunch
the gothic
the voice

Product details

  • ISBN 9781474481731
  • Dimensions: 156 x 234mm
  • Publication Date: 21 May 2021
  • Publisher: Edinburgh University Press
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Hannah Lauren Murray shows that early US authors repeatedly imagined lost, challenged and negated White racial identity in the new nation. In a Critical Whiteness reading of canonical and lesser-known texts from Charles Brockden Brown to Frank J. Webb, Murray argues that White characters on the border between life and death were liminal presences that disturbed prescriptions of racial belonging in the early US. Fears of losing Whiteness were routinely channelled through the language of liminality, in a precursor to today’s White anxieties of marginalisation and minoritisation.
Hannah Lauren Murray is Lecturer in American Literature at the University of Liverpool. Her research centres on race and citizenship in nineteenth-century American literature, with a specific focus on speculative genres. She has previously published in The Eighteenth Century: Theory and Interpretation (2020), The Oxford Handbook of Charles Brockden Brown (Oxford UP, 2019) and the Irish Journal of Gothic and Horror Studies (2017) and she sits on the steering committee for the British Association of Nineteenth-Century Americanists (BrANCA).

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