Liminality and the Short Story

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aesthetic composition of short stories
African American Oral Tradition
ambivalent self-reflection
American Short Fiction
American Short Stories
applicability
archaeological studies
Burroughs's Work
Category=DSB
Category=DSK
Category=GTM
Category=JBCC1
Category=JBFH
Category=JBSL
Category=JHB
Category=NH
cognitive narratology
crisis
cultural messages
Demarcation
digital networking
Early American Magazine
episodic structure
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eq_biography-true-stories
eq_history
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnicity studies
Follow
geographical studies
global mobility
heterotopia in literature
heterotopic orders
Hudson River School
identity formation studies
inner states
interethnic transnationality
Liminal Beings
Liminal structuring
liminality
liminality in the short story
liminality of the short story
literary studies
Magic Realism
mediation
Merry Mount
methodological relevance
migration
mobility
modernist fiction analysis
Modernist Short Fiction
moral transgressions
narrative theory
Omnipresent
Persona
processual stages
psychological studies
Qui
Routledge Interdisciplinary Perspectives on Literature
Short Fiction
short story
short story cycles
Short Story Form
Short Story Genre
short story genre transitions
Short Story Theory
spatial complexes
theoretical perspective
transitional situations
transnational literature
Vice Versa
Violated
Wenlock Edge
Yellow Wall Paper
Young Goodman Brown
Young Man

Product details

  • ISBN 9780367869304
  • Weight: 399g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book is a study of the short story, one of the widest taught genres in English literature, from an innovative methodological perspective. Both liminality and the short story are well-researched phenomena, but the combination of both is not frequent. This book discusses the relevance of the concept of liminality for the short story genre and for short story cycles, emphasizing theoretical perspectives, methodological relevance and applicability.

Liminality as a concept of demarcation and mediation between different processual stages, spatial complexes, and inner states is of obvious importance in an age of global mobility, digital networking, and interethnic transnationality. Over the last decade, many symposia, exhibitions, art, and publications have been produced which thematize liminality, covering a wide range of disciplines including literary, geographical, psychological and ethnicity studies.

Liminal structuring is an essential aspect of the aesthetic composition of short stories and the cultural messages they convey. On account of its very brevity and episodic structure, the generic liminality of the short story privileges the depiction of transitional situations and fleeting moments of crisis or decision. It also addresses the moral transgressions, heterotopic orders, and forms of ambivalent self-reflection negotiated within the short story's confines. This innovative collection focuses on both the liminality of the short story and on liminality in the short story.

Jochen Achilles is Professor of American Studies at the University of Wuerzburg, Germany. His authored book publications include a study on the development of Sean O'Casey's plays in the context of modern drama and a book on the interface between the gothic tradition and psychological fiction, focusing on Sheridan Le Fanu. His most recent book publications are co-edited volumes on representations of evil in fiction and film (2009) and on liminal anthropologies (2012).

Ina Bergmann is Associate Professor of American Studies at the University of Wuerzburg, Germany. She is the author of And Then the Child Becomes a Woman (2003) and co-editor of Global Challenges and Regional Responses in Contemporary Drama in English (2003) and Representations of Evil in Fiction and Film (2009).