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Linda Nochlin on The Body
A01=Linda Nochlin
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art history
Author_Linda Nochlin
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Category1=Non-Fiction
Category=AGH
COP=United Kingdom
Delivery_Delivery within 10-20 working days
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feminist art historian
feminist art history
Language_English
linda nochlin
linda nochlin on the body
PA=Available
pocket perspectives
pocket perspectives series
Price_€10 to €20
PS=Active
softlaunch
Product details
- ISBN 9780500027257
- Weight: 190g
- Dimensions: 116 x 180mm
- Publication Date: 02 May 2024
- Publisher: Thames & Hudson Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
Delivery/Collection within 2-4 working days
Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock
10-20 Working Days: On Backorder
Will Deliver When Available: On Pre-Order or Reprinting
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Renowned art historian and pioneering feminist Linda Nochlin explores how, from the late 18th century, fragmented, mutilated and fetishized representations of the human body came to constitute a distinctively modern view of the world.
Surprising, questioning, challenging, enriching: the Pocket Perspectives series celebrates writers and thinkers who have helped shape the conversation across the arts. Mixing classic and contemporary texts, reissues and abridgements, these are bite-sized, fully illustrated reads in an attractive, affordable and highly collectable package.
Surprising, questioning, challenging, enriching: the Pocket Perspectives series celebrates writers and thinkers who have helped shape the conversation across the arts. Mixing classic and contemporary texts, reissues and abridgements, these are bite-sized, fully illustrated reads in an attractive, affordable and highly collectable package.
Linda Nochlin (1931–2017) was Lila Acheson Wallace Professor Emerita of Modern Art at the New York University Institute of Fine Arts. She wrote extensively on issues of gender in art history and on 19th-century Realism. Her numerous publications include Women, Art and Power, Representing Women and Courbet, as well as the pioneering essay from 1971: ‘Why Have There Been No Great Women Artists?’
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