Listening in Action

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A01=Rebecca Rinsema
adolescent identity formation
Attention Model
Author_Rebecca Rinsema
Bust A Move
Category=AV
Category=JMR
contemporary music listening research
Creativity
Digital Music Files
digital music technologies
Enactive Approach
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
ethnomusicology education
Everyday Listening Experiences
Everyday Music
Everyday Music Experiences
Everyday Music Listening
Experience
Hermeneutic Explorations
Hermeneutic Window
Hermenteutics
Imbalanced Integration
Meaningful Listening
Mobile Music
Mobile Music Listening
MP3 File
Multimedia
Music classroom
Music Education
Music Education Researchers
Music Listening
music pedagogy
music psychology theories
Musical Hermeneutics
Musical meaning
Musical understanding
Ola Stockfelt
Part Iii
playlist creation agency
Rump Shaker
Virtual spaces
Webster's Model
Webster’s Model

Product details

  • ISBN 9780815378471
  • Weight: 294g
  • Dimensions: 156 x 234mm
  • Publication Date: 02 Nov 2017
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Paperback
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In an age when students come to class with more varied music listening preferences and experiences than ever before, music educators can find themselves at a loss for how to connect with their students. Listening in Action provides the beginnings of a solution to this problem by characterizing students’ contemporary music listening experiences as they are mediated by digital technologies.

Several components of contemporary music listening experiences are described, including: the relationship between music listening experiences and listener engagements with other activities; listener agency in creating playlists and listening experiences as a whole; and the development of adolescent identities as related to the agency afforded by music listening devices. The book provides an accessible introduction to scholarship on music listening across the disciplines of musicology, ethnomusicology, sociology of music, psychology of music, and music education.

By reading Listening in Action, music educators can gain an understanding of recent theories of music listening in everyday life and how those theories might be applied to bridge the gap between music pedagogies and students who encounter music in a heavily mediated, postperformance world.

Rebecca Rinsema is Lecturer of Music in General Studies at Northern Arizona University, USA. She teaches courses on popular music and the analysis of music from the listener’s perspective. She is also a singer specializing in the performance of early music.

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