Literary Field of Twentieth Century China

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A01=Michel Hockx
Author_Michel Hockx
Category=DSBH
Category=JBSL
Category=NHTB
Chapter Fiction
Chen Pingyuan
comparative literary sociology
cosmopolitan concept
cultural production studies
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Exiled Writers
Foreign Fiction
Guo Moruo
intellectual communities China
Jiang Guangci
June 4th Massacre
Literary Field
literary networks China
Lu Xun
Mandarin Ducks
modern Chinese authorship
Modern Chinese Literary
modern Chinese literature
New Culture Movement
print culture history
social context of Chinese literature
Traditional Chinese Fiction
Twentieth Century Chinese Literature
Twentieth-Century Chinese culture
Western Fiction
Xiaoshuo Yuebao
Xu Guangping
Xu Zhimo
Young Man
Yu Dafu
Yu Jian
Zhang Henshui
Zhang Yimou
Zhang Yiwu
Zhou Zuoren
Zhu Ziqing

Product details

  • ISBN 9781138863187
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 15 Apr 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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At least since the late nineteenth century onwards, Chinese literature as a form of cultural production has been taking place within a specific social space, including writers, critics, journalists, editors, publishers, printers and booksellers. Focusing on people as well as on texts, and looking at what writers did as well as at what they wrote, the essays in this volume draw a vivid and variegated picture of Chinese literary life throughout the modern period. The book treats differences between periods, but also traces the continuities that have characterised modern Chinese literary practice and its discourses from the beginning to the present, including ties of allegiance, utilisation of 'the people' and appropriation of the west. The book places modern Chinese literature firmly within its socio-historical context, thereby increasing the reader's awareness of the hidden assumptions behind literary production. In doing so, it opens new perspectives on Chinese culture as a whole, and on literature as a cosmopolitan concept.

Michel Hockx

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