Literary Ghosts from the Victorians to Modernism

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A01=Luke Thurston
Author_Luke Thurston
Bowen's Fiction
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Common Language
Dark Interiority
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Freddy Malins
Ghost
Ghost Story
Ghostly Encounter
gothic revival
Guy Domville
Hardy's Text
Jolly Corner
Joyce
Key Word
Literary Ghost
Literature
Modern Bus
Modern Ghost Story
Modernism
modernist literature
Mrs Dalloway
narrative disruptions in modernism
Narrative Hospitality
narrative theory
Pot Boiler
psychological fiction
Rachel Vinrace
Rational Narrative
Regent's Park Tube Station
Research
Rogue Riderhood
Sinclair's Stories
Sinclair's Text
Sinclair's Work
Sinclair's Writing
spectral analysis
Synthetic Panelling
Victorian
Victorian supernatural
Woolfe

Product details

  • ISBN 9780415509664
  • Weight: 530g
  • Dimensions: 152 x 229mm
  • Publication Date: 09 May 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book resituates the ghost story as a matter of literary hospitality and as part of a vital prehistory of modernism, seeing it not as a quaint neo-gothic ornament, but as a powerful literary response to the technological and psychological disturbances that marked the end of the Victorian era. Linking little-studied authors like M. R. James and May Sinclair to such canonical figures as Dickens, Henry James, Woolf, and Joyce, Thurston argues that the literary ghost should be seen as no mere relic of gothic style but as a portal of discovery, an opening onto the central modernist problem of how to write ‘life itself.’ Ghost stories are split between an ironic, often parodic reference to Gothic style and an evocation of ‘life itself,’ an implicit repudiation of all literary style. Reading the ghost story as both a guest and a host story, this book traces the ghost as a disruptive figure in the ‘hospitable’ space of narrative from Maturin, Poe and Dickens to the fin de siècle, and then on into the twentieth century.

Luke Thurston is Senior Lecturer in Modern Literature at Aberystwyth University, UK. He is the author of James Joyce and the Problem of Psychoanalysis (2004), the editor of Re-inventing the Symptom: Essays on the Final Lacan (2002), and the translator of works by Jean Laplanche and André Green.

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