Literary Imagination from Erasmus Darwin to H.G. Wells

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A01=Michael R. Page
Age Of The Earth
aldiss
Author_Michael R. Page
babies
Beast Folk
brian
Brian Aldiss
British evolution and ecology in literature
Canto III
Category=DSB
Category=DSBD
Category=DSBF
Category=PDX
Contemporary Society
Crystal Age
ecological thought development
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_science
evolutionary
evolutionary theory history
Green Porcelain
history
HMS Beagle
Hogg's Account
Hogg’s Account
ideas
intellectual
literary responses to technology
Lyrical Ballads
MDE
modern
Moreau's Island
Moreau’s Island
nineteenth-century British literature
Queen Mab
RI WKH
Romantic science discourse
Samuel Butler's Erewhon
Samuel Butler’s Erewhon
Science Fiction
Science Fiction Criticism
Science Fiction Scholarship
Scientific Romances
Strong Arm
Twentieth Century Science Fiction
Victorian scientific culture
water
Water Babies
Wells's Vision
Wells’s Vision
Windup Girl
wkh
Young Man

Product details

  • ISBN 9781138110403
  • Weight: 430g
  • Dimensions: 156 x 234mm
  • Publication Date: 24 May 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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At the close of the eighteenth century, Erasmus Darwin declared that he would 'enlist the imagination under the banner of science,' beginning, Michael Page argues, a literary narrative on questions of evolution, ecology, and technological progress that would extend from the Romantic through the Victorian periods. Examining the interchange between emerging scientific ideas-specifically evolution and ecology-new technologies, and literature in nineteenth-century Britain, Page shows how British writers from Darwin to H.G. Wells confronted the burgeoning expansion of scientific knowledge that was radically redefining human understanding and experience of the natural world, of human species, and of the self. The wide range of authors covered in Page's ambitious study permits him to explore an impressive array of topics that include the role of the Romantic era in the molding of scientific and cultural perspectives; the engagement of William Wordsworth and Percy Shelley with questions raised by contemporary science; Mary Shelley's conflicted views on the unfolding prospects of modernity; and how Victorian writers like Charles Kingsley, Samuel Butler, and W.H. Hudson responded to the implications of evolutionary theory. Page concludes with the scientific romances of H.G. Wells, to demonstrate how evolutionary fantasies reached the pinnacle of synthesis between evolutionary science and the imagination at the close of the century.
Michael R. Page is a Lecturer in the English Department at the University of Nebraska-Lincoln. His research focuses on literature's encounter with science and technology in the 19th, 20th, and 21st centuries.

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