Literary Infinities

Regular price €122.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Baylee Brits
Author_Baylee Brits
Category=DSA
Category=DSBH
Category=DSK
Category=DSM
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction

Product details

  • ISBN 9781501331466
  • Weight: 467g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Nov 2017
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns
Today, we have forgotten that mathematics was once aligned with the arts, rather than with the sciences. Literary Infinities analyses the connection between the late 19th-century revolution in the mathematics of the infinite and the literature of 20th-century modernism, opening up a novel path of influence and inquiry in modernist literature. Baylee Brits considers the role of numbers and the concept of the infinite in key modernists, including James Joyce, Italo Svevo, Jorge Luis Borges, Samuel Beckett and J.M. Coetzee. She begins by recuperating the difficult and rebellious German mathematician, Georg Cantor, for the broader artistic, cultural and philosophical project of modernism. Cantor revolutionized the mathematics of the infinite, creating reverberations across the numerical sciences, philosophy, religion and literary modernism. This ‘modernist’ infinity is shown to undergird and shape key innovations in narrative form, creating a bridge between the mathematical and the literary, presentation and representation, formalism and the tactile imagination.
Baylee Brits is a research fellow at the Centre for Modernism Studies in Australia and teaches English Literature and Media Studies at the University of New South Wales, Australia. She is the co-editor of Aesthetics After Finitude (2016) and The Covert Plant (2017), both anthologies on contemporary intersections between science, literature and art.

More from this author