Literature after 9/11
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€210.80
11 cultural trauma research
Amazing Spider Man
Animal Kingdom
art
Bill Gray
Blank White Background
book
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Category=DSA
Category=DSBH
chuck
Comic Book Writers
comics
ction
Dad Died
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eq_biography-true-stories
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Eye Witness Testimony
Fireman
Fl Yers
Frank Bidart
genre criticism
Hammad's Poem
horror
lillo
Mainstream Comic Book
mao
Mao II
Maus II
Michael Straczynski
Monty Python's Spamalot
NBC Producer
Pajama Game
Philip's Father
political representation
Port Authority
post-9
postmodern literary analysis
spiegelman
Star Dust
Suheir Hammad
superhero
Superhero Comics
temporality studies
testimonial narratives
trauma theory
York City Police Offi Cer
Young Man
Product details
- ISBN 9780415962520
- Weight: 740g
- Dimensions: 152 x 229mm
- Publication Date: 18 Jul 2008
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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Drawing on trauma theory, genre theory, political theory, and theories of postmodernity, space, and temporality, Literature After 9/11 suggests ways that these often distinct discourses can be recombined and set into dialogue with one another as it explores 9/11’s effects on literature and literature’s attempts to convey 9/11.
Ann Keniston is an assistant professor of English at the University of Nevada-Reno, and is the author of Overheard Voices: Address and Subjectivity in Postmodern American Poetry (Routledge 2006), and a poetry collection, The Caution of Human Gestures (David Robert, 2005).
Jeanne Follansbee Quinn is director of studies for the Program in History and Literature at Harvard University and has published essays on James Agee and Walker Evans, Richard Wright and American pragmatism. She is completing a book on anti-fascist aesthetics in the United States during the 1930s, Democratic Aesthetics: Popular Front Anti-Fascism.
