Literature After Fukushima

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3.11
311
Catastrophic Times
Category=DSBH
civil society Japan
Cultural Trauma
Dense
Disaster Discourse
eco-criticism literature
Ecocriticism
environmental humanities
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Extraterrestrials
Face To Face
Fukushima
Fukushima Accident
Fukushima Daiichi
Fukushima Daiichi Nuclear Power Plant
Fukushima Disaster
Fukushima Nuclear Accident
Fukushima Nuclear Disaster
Great East Japan Earthquake Disaster
Japanese disaster studies
Japanese Literature
Memory Landscapes
Miyazawa Kenji
Nonstandard Speech
Northeastern Japan
Nuclear Accident
nuclear disaster literary analysis
Nuclear Meltdowns
Nuclear Power
post-disaster identity
Slow Violence
Tawada
TEPCO
trauma and memory
Triple Disaster
Tsushima
Yanagita Kunio
Yoko

Product details

  • ISBN 9781032258577
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Mar 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Literature after Fukushima examines how aesthetic representation contributes to a critical understanding of the 3.11 triple disaster – the Great East Japan earthquake, tsunami, and multiple meltdowns at the Fukushima Daiichi Nuclear Power Plant.

Through an examination of key works in the expanding corpus of 3.11 literature the book explores how the disaster—both its immediate aftereffects and its continued unfolding—reframed discourse in various areas such as trauma studies, eco-criticism, regional identity, food safety, civil society, and beyond. Individual chapters discuss aspects of these perspectival shifts, tracing the reshaping of Japanese identity after the triple disaster. The cultural productions explored offer a glimpse into the public imaginary and demonstrate how disasters can fundamentally redefine our individual and shared conception of both history and the present moment.

Literature after Fukushima is the first English-language book to provide an in-depth analysis of such a wide range of representative post-3.11 literature and its social ramifications. Contributing to a more comprehensive understanding of the post-disaster climate of Japanese society and adding new perspectives through literary analysis, this book will be of interest to scholars and students of Japanese and Asian Studies, Literary Studies, Environmental Humanities, as well as Cultural and Transcultural Studies.

Linda Flores is an Associate Professor in Modern Japanese Literature in the Faculty of Oriental Studies at the University of Oxford and the Fellow in Japanese Studies at Pembroke College, Oxford, UK.

Barbara Geilhorn is a Principal Researcher at the German Institute for Japanese Studies Tokyo (DIJ) and an Adjunct Researcher at the Tsubouchi Memorial Theatre Museum, Waseda University, Japan.