Literature among the Ruins, 1945–1955

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A32=Ann Sherif
A32=James Dorsey
A32=Ko Youngran
A32=Michael K. Bourdaghs
A32=Richi Sakakibara
A32=Seiji M. Lippit
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Area Studies
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B01=Atsuko Ueda
B01=Hirokazu Toeda
B01=Michael K. Bourdaghs
B01=Richi Sakakibara
Category1=Non-Fiction
Category=DS
Category=HBJF
Category=NHF
Cold War literature
COP=United States
Delivery_Delivery within 10-20 working days
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eq_biography-true-stories
eq_history
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eq_nobargain
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Japanese literary criticism
Japanese literature
Japanese Studies
Language_English
Literary criticism
Literary theory
PA=Available
Politics and literature
Postwar intellectuals
Postwar Marxism
Price_€20 to €50
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softlaunch
Twentieth Century Literature

Product details

  • ISBN 9780739180730
  • Weight: 308g
  • Dimensions: 153 x 222mm
  • Publication Date: 29 Jun 2020
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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In the wake of the disaster of 1945—as Japan was forced to remake itself from “empire” to “nation” in the face of an uncertain global situation—literature and literary criticism emerged as highly contested sites. Today, this remarkable period holds rich potential for opening new dialogue between scholars in Japan and North America as we rethink the historical and contemporary significance of such ongoing questions as the meaning of the American occupation both inside and outside of Japan, the shifting semiotics of “literature” and “politics,” and the origins of what would become crucial ideological weapons of the cultural Cold War.

The volume consists of three interrelated sections: “Foregrounding the Cold War,” “Structures of Concealment: ‘Cultural Anxieties,’” and “Continuity and Discontinuity: Subjective Rupture and Dislocation.” One way or another, the essays address the process through which new “Japan” was created in the postwar present, which signified an attempt to criticize and reevaluate the past. Examining postwar discourse from various angles, the essays highlight the manner in which anxieties of the future were projected onto the construction of the past, which manifest in varying disavowals and structures of concealment.

Atsuko Ueda is associate professor of modern Japanese literature at Princeton University.

Michael K. Bourdaghs is Robert S. Ingersoll Professor in East Asian Languages and Civilizations at the University of Chicago.

Richi Sakakibara is professor of modern Japanese literature at Waseda University.

Hirokazu Toeda is professor of modern Japanese literature at Waseda University.